Reading with the Bathman

[Flamencology]

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artwork created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures America imposes to exist proudly and unabashedly as herself.

 

[Flamencology]

Finally! The fifth edition is out! And I have a copy!

You must all be excited too.

A warning, though: It is MUCH too hefty for the bathtub.

 

[Flamencology]

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

 

[Flamencology]

WARNING:

This is about as disturbing it gets and, as you might imagine, it comes in all shapes and sizes of potential triggers. I couldn’t put it down and I think that it’s a tremendous and important work of journalism… But it’s also emotionally draining as fuck.

What happens when you pack almost a dozen jails, bulging at the seams with society’s cast-offs, onto a spit of landfill purposefully hidden from public view? Prize-winning journalists Graham Rayman and Reuven Blau have spent two years interviewing more than 130 people comprising a broad cross section of lives touched by New York City's Rikers Island prison complex—from incarcerated people and their relatives, to officers, lawyers, and commissioners, with stories spanning the 1970s to the present day. The portrait that emerges calls into question the very nature of justice in America.

Offering a 360-degree view inside the country’s largest detention complex, the deeply personal accounts—featured here for the first time—take readers on a harrowing journey into every corner of Rikers, a failed society unto itself that reflects society’s failings as a whole.

Dr. Homer Venters was shocked by the screams on his first day working at Rikers: “They’re in solitary, just yelling . . . the yelling literally never stops.” After a few months, though, Dr. Venters notes, one's ears adjust to the sounds. Nestor Eversley recalls how detainees made weapons from bones. Barry Campbell recalls hiding a razor blade in his mouth—“just in case”.

These are visceral stories of despair, brutality, resilience, humor, and hope, told by the people who were marooned on the island over the course of decades. As calls to shutter jails and reduce the number of incarcerated people grow louder across the country, with the movement to close the island complex itself at the forefront, Rikers is a resounding lesson about the human consequences of the incarceration industry.

 

[Flamencology]

In the wake of an unimportant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga—“victory city”—the wonder of the world.

Over the next 250 years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing from a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry—with Pampa Kampana at its center.

Brilliantly styled as a translation of an ancient epic, Victory City is a saga of love, adventure, and myth that is in itself a testament to the power of storytelling.

 

[Porfirio]

Two good ones.

 

[Flamencology]

Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia’s heart is broken. She finds solace in Taslima, a new girl in her close-knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing miniskirts, and cutting school to explore the city.

When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens. At Stuyvesant, Razia meets Angela and is attracted to her in a way that blossoms into a new understanding. When their relationship is discovered by an Aunty in the community, Razia must choose between her family and her own future.

Punctuated by both joy and loss, full of ’80s music and beloved novels, Roses, in the Mouth of a Lion is a new classic: a fiercely compassionate coming-of-age story of a girl struggling to reconcile her heritage and faith with her desire to be true to herself.

 

[Flamencology]

When Casey Parks came out as a lesbian in college back in 2002, she assumed her life in the South was over. Her mother shunned her, and her pastor asked God to kill her. But then Parks's grandmother, a stern conservative who grew up picking cotton, pulled her aside and revealed a startling secret. "I grew up across the street from a woman who lived as a man," and then implored Casey to find out what happened to him. Diary of a Misfit is the story of Parks's life-changing journey to unravel the mystery of Roy Hudgins, the small-town country singer from grandmother’s youth, all the while confronting ghosts of her own.

For ten years, Parks traveled back to rural Louisiana and knocked on strangers’ doors, dug through nursing home records, and doggedly searched for Roy’s own diaries, trying to uncover what Roy was like as a person—what he felt; what he thought; and how he grappled with his sense of otherness. With an enormous heart and an unstinting sense of vulnerability, Parks writes about finding oneself through someone else’s story, and about forging connections across the gulfs that divide us.

 

[dmn23]

This remains the most disturbing thread for me on this forum by a wide margin.

 

[Flamencology]

This remains the most disturbing thread for me on this forum by a wide margin.

You’re likely not alone. Literacy and hygiene have always been frowned on here.

 

[Flamencology]

Perhaps the Bathman might start pimping guitar pedals as well.

 

[Flamencology]

In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire―for one another, for the selves they want to become through the other―takes a violent turn that neither of them expected.

A dark romance exposing the gaps in American identity politics, especially when exported overseas, If an Egyptian Cannot Speak English is at once ravishing and wry, scathing and tender. Told in alternating perspectives, Noor Naga’s experimental debut examines the ethics of fetishizing the homeland and punishing the beloved . . . and vice versa. In our globalized twenty-first-century world, what are the new faces (and races) of empire? When the revolution fails, how long can someone survive the disappointment? Who suffers and, more crucially, who gets to tell about it?

 

[Motorik]

View attachment 80835

Perhaps the Bathman might start pimping guitar pedals as well.

That's terrific! I live that for the day that in between RJ Ronqillo playing his fifties thing and Andy pro guitar shop dropping some Mick Ronson, we have a brief interlude where the Bathman recommends some nuanced account of gender identity amongst first generation immigrants in the inner city.

Sounds flippant, but it actually would be cool if someone talked through the cultural history with instruments in hand to demonstrate!

 

[Flamencology]

That's terrific! I live that for the day that in between RJ Ronqillo playing his fifties thing and Andy pro guitar shop dropping some Mick Ronson, we have a brief interlude where the Bathman recommends some nuanced account of gender identity amongst first generation immigrants in the inner city.

Sounds flippant, but it actually would be cool if someone talked through the cultural history with instruments in hand to demonstrate!

I feel understood.

 

[Flamencology]

This is for cool readers only. Not for fans of PRS, superstrats and/or prog rock.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo’s beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York.

African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.

 

[Flamencology]

In 2016, Rob Delaney’s one-year-old son, Henry, was diagnosed with a brain tumor. The family had moved from Los Angeles to London with their two young boys when Rob’s wife was pregnant with Henry, their third. The move was an adventure and a challenge that would bind them even more tightly together as they navigated the novelty of London, the culture clashes, and the funhouse experience of Rob’s fame—thanks to his role as co-creator and co-star of the hit series Catastrophe. Henry’s illness was a cataclysm that changed everything about their lives. Amid the hospital routine, surgeries, and brutal treatments, they found a newfound community of nurses, aides, caregivers, and fellow parents contending with the unthinkable. Two years later, Henry died, and his family watched their world fall to reveal the things that matter most.

A Heart That Works is Delaney’s intimate, unflinching, and fiercely funny exploration of what happened – from the harrowing illness to the vivid, bodily impact of grief and the blind, furious rage that followed through to the forceful, unstoppable love that remains. In the madness of his grief, Delaney grapples with the fragile miracle of life, the mysteries of death, and the question of purpose for those left behind.

Delaney’s memoir—profound, painful, full of emotion, and bracingly honest—offers solace to those who have faced devastation and shows us how grace may appear even in the darkest times.

 

[nuke_diver]

@Flamencology

I just finished this and for some reason thought of you Bathman. Not sure if you've read it or reviewed it already (I don't recall and I'm too lazy even though I'm retired to go through all the posts to check). I just finished it and thought it was excellent.
Novel by Ryka Aoki Light from Uncommon Stars

An adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.

Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.

When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.

But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.

As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.

 

[Flamencology]

@Flamencology

I just finished this and for some reason thought of you Bathman. Not sure if you've read it or reviewed it already (I don't recall and I'm too lazy even though I'm retired to go through all the posts to check). I just finished it and thought it was excellent.
Novel by Ryka Aoki Light from Uncommon Stars

An adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.

Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.

When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.

But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.

As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.

Never heard of it, but I’ll definitely look into it. Sounds like it might be a trip! Thanks!

 

[nuke_diver]

2022 Hugo Award Nominated

The advantage of using ebooks from the public library, it's easy to just find random stuff that turns out to be excellent

 

[Flamencology]

2022 Hugo Award Nominated

The advantage of using ebooks from the public library, it's easy to just find random stuff that turns out to be excellent

I’ll almost certainly order a copy. I go digital for audiobooks, but I’m otherwise all about the print for a number of reasons.

Sadly, there are no copies of this novel for sale on this island. (Literally) So it might be a while. But it’s not as if I’m about to fall out of things to read at any moment.