A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers.
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats.
With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen’s E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture—and the most famous alt-weekly of all time.
A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers.
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms of criticism and storytelling and revolutionized journalism, spawning hundreds of copycats.
With more than 200 interviews, including two-time Pulitzer Prize winner, Colson Whitehead, cultural critic Greg Tate, gossip columnist Michael Musto, and feminist writers Vivian Gornick and Susan Brownmiller, former Voice writer Tricia Romano pays homage to the paper that saved NYC landmarks from destruction and exposed corrupt landlords and judges. With interviews featuring post-punk band, Blondie, sportscaster Bob Costas, and drummer Max Weinberg, of Bruce Springsteen’s E Street Band, in this definitive oral history, Romano tells the story of journalism, New York City and American culture—and the most famous alt-weekly of all time.
Combining the soul-baring confessional and of addictive storytelling, a renowned puzzle creator’s compulsively readable memoir and history of the crossword puzzle as an unexpected site of women’s work and feminist protest.
The indisputable “queen of crosswords,” Anna Shechtman published her first New York Timespuzzle at age nineteen, and later, helped to spearhead the The New Yorker’s popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.
In this fascinating work—part memoir, part cultural analysis—she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the “Crossword Craze” of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they’ve been allowed to fill, and the ways that they’ve used puzzles to negotiate the constraints and play of desire under patriarchy.
The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.
Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame – and scandal – before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography. Published to coincide with the 200th anniversary of Byron's death, and adopting a fresh approach, it explores his life and work through some of his best, most resonant correspondence. Each chapter opens with Byron's own voice – as if we have opened a letter from the poet himself – followed by a vivid account of the emotions and experiences that missive touches. This gripping life traces the meteoric trajectory of a poet whose brilliance shook the world and whose legacy continues to shape art and culture to this day.
It's London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone.
Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. All of which is complicated by a pattern of abuse that threatens to chase Hal into adulthood. The House of Lancaster will never be the same.
Crackling with intelligence and wit, Henry Henry is a brilliant recasting of the Henriad in which Hal Lancaster is a queer protagonist for a new era. Allen Bratton arrives as a successor to Waugh and St. Aubyn with this lush, stylish novel of family, legacy, and what it means to be alive today.
At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.
These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.
Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.
It is 1938 and for Manod, a young woman living on a remote island off the coast of Wales, the world looks ready to end just as she is trying to imagine a future for herself. The ominous appearance of a beached whale on the island's shore, and rumours of submarines circling beneath the waves, have villagers steeling themselves for what’s to come. Empty houses remind them of the men taken by the Great War, and of the difficulty of building a life in the island's harsh, salt-stung landscape.
When two anthropologists from the mainland arrive, Manod sees in them a rare moment of opportunity to leave the island and discover the life she has been searching for. But, as she guides them across the island’s cliffs, she becomes entangled in their relationship, and her imagined future begins to seem desperately out of reach.
A dramatic close reading of the first book of the Bible focussing on the complex relationship with humankind.
For generations, the Book of Genesis, included in its entirety here, has been treated by scholars as a collection of documents by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherence, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.
Marilynne Robinson’s approach is different. Hers is one of an appreciation of Genesis for its greatness as literature, for its rich articulation and exploration of themes that resonate through the whole of Scripture. She illuminates the importance of the stories of, among others, Adam and Eve; Noah and his ark; the rivalry of Cain and Abel; and the father and son drama of Abraham and Isaac, to consider the profound meanings and promise of God’s enduring covenant with humankind. Her magisterial book radiates gratitude for the constancy and benevolence of God’s abiding faith in Creation.
Enthralling and ferociously funny, James by Percival Everett is a profound meditation on identity, belonging and the sacrifices we make to protect the ones we love. It is also a bold reimagining of Mark Twain’s The Adventures of Huckleberry Finn, as the enslaved Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.
The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan.
Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.
With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair embark on the most dangerous, and life-changing, odyssey of them all.
At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Phillip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.
Cracked open, Jin finds herself telling Lidija about an old familial curse, breaking a lifelong promise. She's been told that if she doesn't keep the curse a secret, she risks losing everything; death and ruin could lie ahead. As Jin and Lidija become more entangled, they realize they share more than the ferocity of their ambition, and begin to explore hidden desires. Something is ignited in Jin: her art, her body, and her sense of self irrevocably changed. But can she avoid the specter of the curse? Urgent, bold, and deeply moving, this novel asks: how brightly can you burn before you light your life on fire?
