Wow, I must not have read this paragraph until Flamenc commented on it. A couple of glaring errors to correct in the above statement, regardless of taste and whether you like Dylan or not. You're mixing up his so-called early "plariagized" music (mostly aping some of Woody's vocal characteristics and a couple other minor influences from his NY clubs days and first 2 albums) and the stuff 60s counter-culture latched on to. When Bringing It All Back Home, Highway 61, and Blonde on Blonde hit the charts and record stores, it was Dylan leading culture around by the nose and not the other way around. It took people some time to catch up with him. Only after that was he idolized and made into an icon on Peter Max style posters. And most of the people idolizing him from the folk scene were in a state of shock when Bringing It came out. There is no precedent or source of plagiarism for songs like It's Alright Ma or Like a Rolling Stone. By 1964 or 1965 Dylan had pretty much shed his influences and created a new genre of music that has only had one artist all of these years since. I would be greatly entertained if you could cite the influences for Ballad Of A Thin Man. Of source Dylan is all Americana at heart, and also played some of the most authentic blues ever written by a white man on his first album, but there's nothing unoriginal about his mid to late sixties output. As much as people want to call Nashville Skyline a country album, I've never heard any country song like Lay Lady Lay. And his voice is unrivaled as far as the art of enunciation and edge to communicate the most poetic lyrics in rock music. The live version of It's Alright Ma off of the Scorcese film sends chills up my spine, just in his vocal delivery. I can't think of any other singer who can communicate that much emotion and power. Again, you don't have to agree, just offering some corrections to your "facts".