Oh well, good luck. Frankly I wonder if you really understand that the physics of acoustics limit you to what you can do soundwise.
I'm getting more than from a standard acoustic guitar with electric-modled amp. That's enough for what I want in a mobile guitar
And saying that you're giving us charity views of your work sounds kind of egotistical (as in "you're unworthy to view my stuff, but here, go ahead and view it anyway). Like I said earlier, you keep on hammering at us like you feel we're blind, and need to see the light. It's just my opinion, but that seems kind of condescending.
That's fair enough but why would such an audience be here anyway? Once you know the thread by name why return unless interested so how can anyone blame the poster to a therad they're not interested in? That contributes to sometimes feeling annoyed the opposite as though most seem more interested in the appearances and name-brand and so-on rather than how a guitar actually plays when and where they want.
BTW, I also have a techical background. I have degrees in engineering, took electronics courses in college, and have had a ham radio license for the past 32 years. I typically have done the guitar tech work in my bands, and have even worked on my amps. Frankly, guitar electronics is peanuts compared to RF electronics (I've restored vintage ham radios from non working pieces of junk, Built complete working radios [that I've used to talk to other ham radio operators] and have repaired my modern ham radios, when they've needed it).
Cool. I've done some RF too. Plus even worked audio electronics for a couple co-ops at McIntosh labs.
Correct me if I'm wrong, but I get the impression that you're relatively new to guitar, since you did not seem to know about the guitars and guitar cases with built in amps, when previous posters mentioned them.
Started playin in 1985 and ran sound for a heavy mettle band for about a year. After that I lost interest in electric playing because I was in apartments with close neighbors and crummy equipment and the Carlos 24QK kept me happy. So not much electric since 85 till last november when building these.
They've been around for quite some time, and have all been spectacularly mediocre (with the possible exception of the [tube] amp-in-case Silvertone, which has tons of crude garage rock mojo, if you're into that kind of thing). They all make a sound - yes. But that's all you can say about them.
A guitar case is perfect speaker-cabinetry for a good sounding modeled amp. I see a lot of imho-bad design-selections commonly selected by gimmek or miss-info in market places. McIntosh was devastated by it in the 80s since people chose speakers with holes in them over linear frequency round dispersion quality products. I'm planning to seal the backs of my guitar amps soon too.
It seems like you're trying to do paradigm shift in guitar, but why try to force it on everybody?
Sure would love to see paradigm shift in gutar but I can't see how anyone could possibley feel forced by me posting about a home-build into the on-topic-thread. If there's a more appropriate forum I could enjoy that.
1 more motive to make these posts is because I've so often appreciated when others have done just that. The other day I wired a switch to the headphone jack according to someone else's project photo. Build stories are a lot easier to find in automotive projects.
Oh and I'm not a fuddy duddy. I don't use typical gear for heavy rock (I use hollowbodies, a Fender Jaguar, a 7-string, and a Danelectro). I also am not a tube amp snob. Tube amps sound cool (during the 90s, Mesas were my amp of choice), but so do many solid state amps in my opinion. Heck my main amp is a Randall. It has nice cleans, does decent mid-gain tones, and can shovel out the high gain tones up to death metal levels! Unless your're willing to model your amp type, and speaker type, you will probably always be stuck with some blah, "it sounds so-so clean, and crappy under heavy distortion" sounds, due to the acoustic limitations, that having man-portable speaker systems engender. Throw in the fact that the amp circuits you are using are basic bipolar amp circuits, that produce crappy sounding harmonics when clipping (no filtering of them in the output section, nor emulation circuitry before the final amp section), and you'll probably always have the equivalent of a boom box you can play a guitar through. Most players don't care for amps like that.
I enjoy it together with a boom box on my back porch. I've also enjoyed it at friends houses, church, the guitar ctr, and look forward to parks and so-on. Boom box-sound is about 3db stronger than an acoustic that's played hard.
In all respect, what you're attempting is cool, but rather limited, not guitar world changing.
Thanks again for your detailed perspectives. I hope my replies are illuminating as to my motives. Do note in closing that it's certainly changed my guitar-world getting me back to electric and forcing me to notice and improve my rhythem, tuning, and so-on. So thanks also for the challenges that stimulate thought and common understanding.
Hope that can help us get past annoyances with theses posts. As far as future posting goes my intention is to simply post updates to this thread whenever the project undergoes substantial lesson-learned and accomplishments (proofs of concepts, etc). For example the head-stock modifications or embedding a transmitter maybe next. But seriously don't count on it being all that soon since I need to build 2 more electric bikes now (demand!).
Thanks,