Ergonomically and playability wise I like the Alverez/Line 6 the best. Updated pic:
...http://i281.photobucket.com/albums/kk213/reitze/IMG_20101031_224252.jpg...
The other 3 electric built guitars play louder/stronger than this one primarily because of the bigger speaker. So does the Carlos. So the only thing this guitar really has going for it is the ergonomic layout and nice wood-feel of the neck. The Dean/Vox has 24 frets.
Underneath the SX/Star Line6 plays very nicely. But I don't like it's ergo's with the amp top-side so much. It is playable that way though. I didn't make accessible the tap button or turner display. After it's weight reduction (smaller back-side -see pics above - the Natural). Biggest negative is the speaker location - when playing it loud it's right in my face at the same time and its also a feedback challange with the mic.
The Laguna was the best in-home for a long time since the ergonomics were workable enough, speaker wasn't right in my face. I've recently loaned it to the studio/music-ctr and brought home the Dean/Vox. Though must admit current Natural rebuild still isn't quite as nice and the Alverez doesn't have the same drive with the smaller speaker (bought a pair of 4x10" car speak's may try one).
...http://i281.photobucket.com/albums/kk213/reitze/1acd488a.jpg...
The Dean/Vox just came home from being on loan at the studio. It's a really solid guitar and IDK maybe the speaker-mount isn't as solid as I'd like cause it's a little hard to get it into live-string feedback. Which I know normally a no-want but with Power Guitars there's a ballance... want them to feedback within what the amp can do but not too much. anyway, it's as playable as the Vox/DA5 and Dean w/ 24 frets are (gr8), though must admit I'm more comfortable with the Roland and Line 6 amps and controls for the effects especially. Vox only lets you select pairs and then depth. Line 6 assumes the depth and varys the effects. Neither is perfect and seems what one gets used to. For me the L6 was fast to get the tone I wanted, but my instructor liked the Vox better.
http://i281.photobucket.com/albums/kk213/reitze/2010-07-10210226c.jpg
I want to see Dracula play at the end of the video
reitze, and Tig, this is a most copacetic moment for me.
This thread is the craziest upload I ever had, taking a long time, the little slider jumping up and down,
so I just looked at the pictures and wanted to get back at reitze, but Tig hit on my new inspiration first.
I never thought reitzes' self-amplified attempts should only be for electric guitars, if your volume gets that boosted.
When I saw these newest guitars, acoustics too, I'm thinking reitze is really getting good, starting to look very good.
Considering, say, what a 2" old Bose speaker can do in terms of high wattage,
seeing the acoustics with self-amplification made me think the next step is adding a microphone,
something I mentioned before, but seeing reitzes' new craftsmanship as enabling that now.
reitze! Sorry to be gone so long, you too, but five weeks before the election my residential online was deleted,
and I'm not putting it back on, even with Bell credits, because I'm moving to another city,
and the day after the election my residential hydro was shut off. Welland!
I'm still waiting to blow everyones' mind, bend everyones' brain, when I drain my new notes into this domain.
Jimi! Forty years later, your Axis turns again.
And I appreciate anyone who has fun with a Mr. Microphone. I've been using Shure SM58's since 1972, but,
the most fun I've ever had with a microphone was a microphone soap on a rope.
Let me shower you with my vocals, baby!
I'll take one as long as it works with my Mr. Microphone.
Will this thread never go away?
{Edit: moved first part of this message here from previous reply}
That's the ugliest thing I've ever seen. I'd be ashamed to be in the same room as that thing.