Seriously. Now I can finally try and get everything programmed. I really wish there was a computer based editor for the ES-8 but no such luck.party0
It looks like it's work pretty slick even though it's just a beta release. Luckily I have two weeks to get this sorted out before my next rock gig.That looks pretty cool.
DAMMIT.
This thread has got me seriously considering the ES5. I don't have nearly as many pedals, but being able to change multiple at the same time and NOT KICKING KNOBS WITH MY BIG STUPID FEET would be a big bonus. I would probably run everything into the pedal and then the out of that into the RK5 so I could use the cab sim and tap tempo delay as the last part of my chain. I would move my looper to my second board (both Loopers would be side by side with midi sync between them) so for a solo gig I would just run the outs from each source (guitar rig, guitar synth, drum pad, vocals) to the two loopers and then out to the mixer.
If you're not already, you can program each patch according to song...All this and a new midi cable and it finally all works!
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I programmed a bunch of sounds into the möbius tonight. Next I need to organize my patches in the ES-8 so that they make sense on stage.
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If we actually used set lists I would. Things are too chaotic onstage with this band to get too organized.If you're not already, you can program each patch according to song...
If you're not already, you can program each patch according to song...
My plan would be to have 5 to 10 go-to sounds that I could work into each song on the set list with minimal dinking around.
I have a buddy that plays in a band that follows a strict set list so he programs by the song. But I take an approach more like you. If I have a handful of useful sounds I can make that go a long way. And there's always the option of pre-programming a song or two that may need something differentIf we actually used set lists I would. Things are too chaotic onstage with this band to get too organized.
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Back in the day, you'd pay Bob Bradshaw a butt-load of money to custom build you a switching system.Yeah that's long been a selling point of the all-in-one units with memory for years, but it's the rare player that's happy with all of effects from those devices. I think these switchers are ideal for the gigging player (or the affluent hobbyist). You get to use the pedals you actually love from ANY manufacturer and map them to your needs.
Obviously everyone gets this, but it's actually kind of amazing that it took so long for these become available. The technology has been there for decades (at least), but it was limited to the given manufacturer of the all in one units. You'd think Boss, Digitech, DOD, and the like would have realized the market for the stand alone switching systems years ago.
@Mark Wein this video may help with the midi patch changes. I don't know what the continuous change part of the patch is all about but maybe turning those off is what you need to get your midi changes right.
I'm leaning towards the ES5 with my existing pedals.... and then looking at either a Strymon Mobius or an Eventide H9. I like the idea of analogue and digital pedals in an analogue switching system vs any kind of modelling like the Fractal stuff. It will allow a more progressive learning curve and easier editing on the fly versus trying to edit some kind of modelling patch.
Obviously everyone gets this, but it's actually kind of amazing that it took so long for these become available. The technology has been there for decades (at least), but it was limited to the given manufacturer of the all in one units. You'd think Boss, Digitech, DOD, and the like would have realized the market for the stand alone switching systems years ago.
Back in the day, you'd pay Bob Bradshaw a butt-load of money to custom build you a switching system.