Magnets…

I watched the video and I get the principal of putting a magnet on the bridge to create a field... but the entire concept is fucking with my understanding of multi-coil pickups. Like why put magnets in all three.... if we could just put a magnet in the bridge pickup and then light up different coils. :shrug:
 
I have to say, I've started watching some of his videos and he likes to turn things on their head to make you think and then teach you about how things work and why things are the way they are.
 
I have to say, I've started watching some of his videos and he likes to turn things on their head to make you think and then teach you about how things work and why things are the way they are.

Agreed. Over the years, I've broken apart (and stumbled across blindly) different guitar electronics methods.... there isn't necessarily a "right" or "wrong" way... they're just different.

Like tone circuits that are along the pickup path versus the output or in parallel. They react differently to different pickup types and knob settings.

I used to be very OCD when using my super switches about controlling which coils were physically in the signal path with each series/parallel... dropping both ends of a pickup when the pickup wasn't in use. Typically every coil in a strat has one leg sent to ground and they just "participate" when the other end is connected. Both methods work or have their own pros/cons like if you're going to flip the phase of a coil or do series/parallel and need to intercept both ends of a coil.

Caveman logic says the single pickup "sings" the best because there is only one magnet tugging on the string.... this makes me want to replicate his experiment with a couple different size/wind magnet free coils and put them next to, in the middle, and in the neck... with a P90 in the bridge and see what kind of tones and noise cancelling would happen. :baimun:
 
Agreed. Over the years, I've broken apart (and stumbled across blindly) different guitar electronics methods.... there isn't necessarily a "right" or "wrong" way... they're just different.

Like tone circuits that are along the pickup path versus the output or in parallel. They react differently to different pickup types and knob settings.

I used to be very OCD when using my super switches about controlling which coils were physically in the signal path with each series/parallel... dropping both ends of a pickup when the pickup wasn't in use. Typically every coil in a strat has one leg sent to ground and they just "participate" when the other end is connected. Both methods work or have their own pros/cons like if you're going to flip the phase of a coil or do series/parallel and need to intercept both ends of a coil.

Caveman logic says the single pickup "sings" the best because there is only one magnet tugging on the string.... this makes me want to replicate his experiment with a couple different size/wind magnet free coils and put them next to, in the middle, and in the neck... with a P90 in the bridge and see what kind of tones and noise cancelling would happen. :baimun:
If I didn't already have 7,000 unfinished projects I'd absolutely participate in your magnetic shenanigans.
 
If I didn't already have 7,000 unfinished projects I'd absolutely participate in your magnetic shenanigans.

Yeah.... Like I need another messy unfinished project on the list.... but that's the ADHD brain always asking questions about a topic while I'm supposed to be worried about something else. :helper:
 
Magnetizing the strings makes sense of a thing I had where I wanted to switch magnets, got called away, soldered the humbucker in and then had low output when I tested it. Then I realized I hadn't put the magnet in before installing it again. Either it was residual magnetism in the poles, or the magnetism from the other pickup in the strings.
 
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