Let's Have a Funny Pic Thread! Mk IX

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See that was great Gary. I didn't say the Cure write horrible songs or are terrible players there is just something about Robert Smith's voice that grates me...you're not Robert Smith so it's all good

:thu:
 
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fucking seriously. the result of being the largest, unwound string I suppose.
the reason was once explained to me and it's pretty convoluted.....but in the end it comes down to....the G string will NEVER been perfectly in tune all the way up and down the neck.....period.
 
See that was great Gary. I didn't say the Cure write horrible songs or are terrible players there is just something about Robert Smith's voice that grates me...you're not Robert Smith so it's all good

:thu:
Thanks. I got into the Cure with the Standing on a Beach compilation; I passed it on to my son who became a fanatic. He owns everything they have done: CDs, DVDs, picture discs, bootlegs...

I don't mind Robert Smith's voice, and I just think that is such a cool song. (I don't think they wrote that one, by the way.) Oddly, I don't think I have performed it since that recording.
 
the reason was once explained to me and it's pretty convoluted.....but in the end it comes down to....the G string will NEVER been perfectly in tune all the way up and down the neck.....period.
Oddly, I always have more problems with the G on an electric than I do on an acoustic. idn_smilie Is that what others experience?
 
Oddly, I always have more problems with the G on an electric than I do on an acoustic. idn_smilie Is that what others experience?
It seems on most of, if not all of my guitars I can't get the B & high E to work well together.

I've read that EVH had the same problem and would flatten the tuning or intonation of the B string.
 
It seems on most of, if not all of my guitars I can't get the B & high E to work well together.

I've read that EVH had the same problem and would flatten the tuning or intonation of the B string.

i've had issues with the B string also, depending on what chord i'm playing. for instance, if i play an open D chord and get the B string right.....then it would be off when i play an open G chord. goofy instrument the guitar is.
 
i've had issues with the B string also, depending on what chord i'm playing. for instance, if i play an open D chord and get the B string right.....then it would be off when i play an open G chord. goofy instrument the guitar is.

It isn't the guitar's fault. Any instrument that can play in all keys has the same problem.

Short answer:

The frequency of each note in our music system (frets on a guitar) increases over the previous note by the twelfth root of 2 which is approximately 1.0594630943592952645. Why the 12th root of two? Because each octave is divided into 12 steps (frets), and an octave is a doubling of frequency.

Perfect Chords are built by using notes who's frequencies can be expressed by a ratio of small whole numbers. For example the two frequencies associated with what we call a 5th, when expressed as a ratio, is 3/2. The guitar A string is tuned to 110 Hertz. Therefore the note that is a fifth up would be 165 Hertz (165/110 = 3/2).

Remember that we don't have an infinite palate of frequencies from which to create the notes we need to make chords. The only notes we have are related to each other in frequency by 1.0594630943592952645. So, using notes that are related to each other by multiples of 1.0594630943592952645, we can get CLOSE to ratios like 3/2 (the 5th that we wanted), but we can't get there exactly.

Long answer: google tempered scale
 
It isn't the guitar's fault. Any instrument that can play in all keys has the same problem.

Short answer:

The frequency of each note in our music system (frets on a guitar) increases over the previous note by the twelfth root of 2 which is approximately 1.0594630943592952645. Why the 12th root of two? Because each octave is divided into 12 steps (frets), and an octave is a doubling of frequency.

Perfect Chords are built by using notes who's frequencies can be expressed by a ratio of small whole numbers. For example the two frequencies associated with what we call a 5th, when expressed as a ratio, is 3/2. The guitar A string is tuned to 110 Hertz. Therefore the note that is a fifth up would be 165 Hertz (165/110 = 3/2).

Remember that we don't have an infinite palate of frequencies from which to create the notes we need to make chords. The only notes we have are related to each other in frequency by 1.0594630943592952645. So, using notes that are related to each other by multiples of 1.0594630943592952645, we can get CLOSE to ratios like 3/2 (the 5th that we wanted), but we can't get there exactly.

Long answer: google tempered scale
You blinded me with science. SCIENCE!
 
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