GPOTD 6.19.2023

Peen Simmons

Let’s Get Obtuse!
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Description & Specs
CME has been selected by luthier Andy Powers to offer our customers a chance to purchase the debut model from his new brand of guitars, inspired by the hallmarks of Southern California culture!

“San Diego is the pot that I was boiled in,” Andy Powers said at an exclusive press event announcing the debut of the Powers Electric A-Type guitar model. “I’ve lived here my whole life. Knowing what that looked like, what it felt like, and the kinds of things people did—those things shape who you are.”

Designed with the vibrant musical, artistic, and architectural backdrop of San Diego’s North County in mind—think surfing, skateboards, and classic cars—the new Powers Electric A-Type model blends these influences and aesthetics to provide players with a new tool to enrich and inspire their creative expression. Comprised almost entirely of parts made in-house, each Powers Electric guitar requires labor-intensive craftsmanship, meaning they can only be produced in small numbers.


Style
Inspired by the lines of classic cars, hot rods, and surfboard design, the Powers Electric A-Type guitar sports an asymmetrical shape, without sacrificing visual balance. Featuring timeless styling and modern embellishments, the resulting model is a trussed, slim hollowbody design, for which—like a surfboard or roadster—every line was considered, both for its looks and its handling.

As if the aesthetic links to Southern California’s surfboard culture weren’t clear enough, the colorful knobs and vibrato arm cap on each A-Type guitar are shop-crafted in-house from layers of surfboard resin, which originally was a byproduct of the surfboard glassing process—and, as a result, no two resin knobs look exactly alike!

Feel
Made to be held with ease, the A-Type is lightweight and perfectly balanced whether played standing or sitting, with contoured armrests and radiused body edges for additional playing comfort.

Not to be confused with an end-to-end compound radius, the A-Type’s Honduras rosewood fretboard features a split radius—meaning it’s asymmetrical from the bass side to the treble side, with the treble side slightly flatter all the way from the first fret down to the end (i.e. up to the highest fret, where the fretboard meets the body), for easy, better-sounding string bends.

Body Architecture
Each Powers Electric A-Type features an Urban Ash hollowbody trussed with two internal soundposts fitted into a braced, solid maple top—similar to the soundpost in a violin—which allows the front and back to move together, increasing the resonance and sustain of the guitar while reducing feedback.

Pickups
Available in “full Faraday” (FF42) and “partial Faraday” (PF42) editions, both pickup options are a new design that blends modern magnetic structure with an old inspiration, allowing the strings to vibrate more naturally, producing unprecedented fidelity and colorful warmth—tonal qualities that tend to be at odds with one another, but beautifully complement one another with these new designs—one emphasizing clarity and warmth (FF42); and the other, a firm, brighter response (PF42).

“CamTail” Tremolo/Vibrato
Since pitch-shifting tails notoriously go out of tune, Andy Powers engineered his own ingenious “camshaft” tailpiece—which he’s dubbed the “CamTail”—with string ramps individually compensated for tension and gauge. So, when you dive on the CamTail Tremolo on a Powers Electric A-Type guitar, the strings move in pitch unison relative to each other—getting sonically closer to the way lap and pedal steel guitarists move a chord and maintain relative pitch.

Serial #: A021
Body Material: Mahogany
Top Material: Select Maple
Body Color: Cosmo Red
Body Finish: Poly-Based UV Finish
Relic/Aging Level: No Relic/Aging
Bracing Pattern: Two Internal Soundposts w/Braced Solid Top
Neck Material: Mahogany
Neck Finish: Poly-Based UV Finish
Neck Tint: Natural
Neck Shape: Asymmetrical Carve
Neck Joint: Dovetail
Scale Length: 24.875
Fingerboard Material: Honduran Rosewood
Fingerboard Inlay: Italian Acrylic
Side Marker Inlay: Dots
Number of Frets: 21
Fret Wire: Custom Jumbo
Nut Material: Ebony
Factory Tuning: E Standard (E-A-D-G-B-E)
Bridge: High-Carbon Steel Base, Ebony
Saddle Material: Delrin
Tailpiece: CamTail Vibrato
Pickguard: Faux Pearl
Knobs: Colorful Resin
Switch Cap: Colorful Resin
Neck Pickup: FF42 Engine Turned (Full Faraday)
Bridge Pickup: FF42 Engine Turned (Full Faraday)
Controls and Switching: 3-Way Switch, Volume, and Tone
Case: Hardshell Case

https://www.chicagomusicexchange.co...a-type-select-figured-maple-top-cosmo-1799802
 
Butt ugly. Body shape isn't bad, but the pickups, knobs, inlays, whammy bar end, all make it look like he's trying to make a Knaggs but doesn't have the flair to be truly gaudy and hideous.
 
I actually don't mind the body shape at all. Not crazy about the flamed top though. I'd would not mind playing one.
 
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I don't hate it. It's a little too part -Paul/part-Gretch for me, and I'm never too enthused about flamey tops, but it looks like it's got some good sounds and would be fun to play.
 
what is with that pickup switch?? looks like a switch on a effects pedal, or maybe it's just the pictures.

also.....$4300 ?? !! ??
 
Not a fan of the finish or the headstock, but shape-wise and spec-wise it's alright, I guess.
 
I like it.
I’d prefer a different colour with that overall aesthetic. Maybe even a plain top or opaque finish. That’s be more hot rod or surfboard, to me.
 
I feel like this style of guitar would look a lot better with a flat painted color instead of a flashy top. Give me like a pastel blue or something. It's alright other than that.
 
I think it’s cool in a rhinestone cowboy kind of way. But the vibrato design is too plain and mechanical; on this otherwise blingy guitar it looks cheap. And if a guitar with that vibrato is going to cost this much it should have a roller bridge.
 
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