Tokai Springy Sound

Mark Wein

Grand Poobah
Staff member
IMG_0963.jpg


This is something of a review of my very first nice strat. I had been playing guitar for only a few months in 1986 and was already looking past my $110 Memphis strat copy at Charvels and Kramers. I was taking guitar lessons at Sightsinger Music here in Orange and every Saturday I would drool over whatever they had on display. The guitar teacher I had at the time steered me into this Strat copy that he explained was part of what they bought from Fender wheen Fender moved out of the Fullerton factory...they blew out all the junk lying around that they really couldn't sell and this was part of a truckload of gear they had bought. I remember a bunch of the Starcaster semi hollow guitars lying around....

starcaster.jpg


This was obviously a "lawsuit" guitar in that every detail of a 1956 strat was slavishly copied. If you check out the headstock even the decal looks like the Fender but the you see things like "Springy Sound" in place of "Stratocaster" and "Oldies but Goldies" in place of "Original Contoured Body" smi


IMG_0965.jpg


The story I had heard was that they had a trio of these Tokai guitars that had in fact been used as samples in their trademark infringement case in the early 1980's against Tokai. The decals on the back of the headstock (still there to this day) seemed to bear this out:


IMG_0971.jpg


Here is a little history from Tokai Guitar Registry

Springy Sound Stratocaster

During the mid-1970s, Tokai helped satisfy demand in guitar market for look-alike old Les Paul and Stratocaster guitars. Tokai's Strat-clones were available in Japan beginning in 1976 and were intended to be high-end guitars, not low-cost copies. These early attempts by Tokai to meet the markets demand for replica Stratocasters pre-date Fender's own reissue models by several years.

Tokai's goal was to make an old-style Strat-style guitar available to local (Japanese) buyers at an affordable price point. Also, Tokai built these cool reproductions as a tribute to the one of the most sought after vintage guitars and certainly the most copied body style in the history of solid-body electric guitars. Tokai initially introduced both a 1954 (maple-neck) and a 1959 (slab-board) style Strat copy. Tokai designed these guitars to be similar versions and not exact, carbon copies of the originals.

With most Tokai 1954 Stratocaster-replica guitars, you notice a highly figured, light ash body finished in a 50s style two-tone sunburst with a deep rear-body contour. The hard rock maple V-shaped neck has a button string-retainer and single-line, Kluson-like tuners. A single-ply, eight-screw pickguard holds the staggered-pole single-coil pickups. Tokai made two obvious changes to this guitar when compared to a true vintage 1954 model and were made to accommodate function over form. First, these instruments were equipped with a five-way pickup selector switch and second, the adjustment end of the truss rod is not a screw type, but a metric Allen wrench socket. These guitars came with a 1950s Fender-style tweed case.

A most interesting feature of these guitars is their headstock logo decal. Looking from several feet away, the decal appears as though it is an old Fender 'spaghetti' logo. Upon closer inspection, 'Tokai' script is placed where the word 'Fender' would be located on a Stratocaster headstock. Tokai replaced the backward F with a T (without a line through the letter). The words 'S P R I N G Y S O U N D' were used in place of 'S T R A T O C A S T E R' in block letters. An original Stratocaster decal reads 'WITH SYNCHRONIZED TREMOLO', the Tokai has 'THIS IS THE EXACT REPLICA OF THE GOOD OLD STRAT.'. Finally, at the knob end of the headstock the decal says, 'Oldies BUT Goldies' which substitutes for 'ORIGINAL Contour Body'. Maybe the guitar wasn't an exact replica, but it has a cool vibe.


Several well known guitarists have played these Tokai replica Strats, the most famous being the late Stevie Ray Vaughan. Stevie appears on the cover of Tokai's 1985-1986 Edition of their Electric Guitars catalog. Also, an interesting piece of trivia concerns Stevie's Texas Flood (Epic 1983) album cover photo. It was taken while Stevie was playing a Tokai replica Strat. On the cover, the Tokai logo was removed, however, many music shops sell a poster of that album cover and "Tokai Springy Sound" is clearly visible on the headstock.

Tokai wanted to sell solid-body electric guitars in the USA and began selling altered versions of these early copy Strats that didn't violate any existing manufacturers trademarks. By 1982, Tokai introduced the TST-56 and TST-62 models. The TST-56 emulated the '56 Strat with a maple neck and the TST-62 likewise resembled the '62 Strat with a rosewood fingerboard. A January 1983 Tokai USA Price List indicates either guitar was offered at a retail list price of $570.00 with a tweed case. These guitars deviated significantly from the earlier Tokai guitars. Most apparent was the headstock's logo and outline changes to avoid looking like the pre-CBS Fender headstock and decal. Tokai added a flat side to the normally rounded knob at the end of the headstock and the logo was changed with 'Tokai' in fatter script with a regular 'T', not a backward 'F'-style letter. Overall, they were still an excellent value in 1983.

Fender noticed Tokai's superb workmanship and high quality during the company's efforts to find a partner to build instruments in Japan. According to The Fender Book, written by Tony Bacon and Paul Day, they spoke with Tokai and others regarding possible manufacturing partnerships. Fuji Gen-Gakki Corporation was eventually chosen to build Fender's guitars in Japan (Fuji is the maker of Ibanez brand guitars).

Check out the early Tokai replica guitars and decide for yourself if they have the right 'vibe', sound and playability. The early Tokai Strat replica guitars are considered rare and it seems a small but growing group of guitar enthusiasts are always on the lookout for them.

Thanks to Ned at the Tokai Registry for providing the opportunity to share this information with you. If you are interested in articles and information regarding vintage and collectible guitars, please visit the FLYINGVINTAGE.COM website.

There is also a similar bit about their "Les Paul Reborn" model that later became Love Rock. http://www.tokairegistry.com/tokai-info/larrymeiners-tokai-article.html



Since I was a metal kid at the time I had them put a Duncan Hot Rail in the bridge position. Over the years I had it refretted, put a Duncan 57 reissue pickup back in the bridge, had a "neck on" toggle switch installed and then removed and then finally retired the guitar n the mid 1990's. It carried me through High School, College and the early part of my career. It honestly sounded better than any of the guitars Fender was selling in the 108-'s (not too difficult, really) but played like a pig.

I still have it and someday will get it overhauled and start playing it again. It just hasn't been a priority since I own a few nice strats already and the money can be better spent other places.

One thing I am considering is the Eric Johnson thing where you put high frets on a guitar with the rounder fretboard radius and then have the frets leveled to a more playable radius....whenever I pick it up and play it I am amazed at how difficult it is to play....
 
  • Like
Reactions: Tig
Yeah. I didn't have the foresight or the funds to buy one then...it was probably a total steal since they had several of them and were just trying to blow all that stuff out the door for a quick profit. frown0
 
sure, but it was 1986. i mean, how the hell could you know that Johnny Greenwood was gonna play one 15 years later and make all the FX dorks drive the prices up?
 
biggrin

My dad worked for RCA in the 50's and 60's. He threw away CASES of RCA 6l6, 12ax7 and 6v6 tubes (among others) when we moved to California. Probably be worth a few thousand dollars today.

He used to laugh at me spending $60 for a matched set of NOS RCA tubes for my Deluxe. They cost him about .25 a piece back in the day :facepalm:
 
For Christmas my Wife gave me an SX Tele from rondomusic.com.
At just over a hundred bucks, they really are a great deal. balsa wood and spit sells three lines of guitars, all gorgeous, high quality reproductions at amazing prices. I'm not trying to advertise for them, but they're a great alternative for guys who can't afford to spend $1000.00 for a guitar.
Also a good way to start collecting on a shoestring.
stl50pbu1.jpg
 
B Valley said:
For Christmas my Wife gave me an SX Tele from rondomusic.com.
At just over a hundred bucks, they really are a great deal. balsa wood and spit sells three lines of guitars, all gorgeous, high quality reproductions at amazing prices. I'm not trying to advertise for them, but they're a great alternative for guys who can't afford to spend $1000.00 for a guitar.
Also a good way to start collecting on a shoestring.
stl50pbu1.jpg

Its nice that these days you can get decent instruments for small money. When I started out that price point was the home of unplayable junk guitars and now with modern manufacturing they are able to turn out guitars like this or Xavier....
 
I've got an Agile ES335 copy. It's a really nice guitar, and fills my semi-hollow niche quite nicely. I don't go for the sound of a semi enough to justify a real 335, but this one has snuck into several of my recordings, and I've played it at a gig or two and at rehearsals a few times.

Mrs. P bought it for me for Christmas a few years ago.

AgileA1.JPG
 
Prages said:
I've got an Agile ES335 copy.  It's a really nice guitar, and fills my semi-hollow niche quite nicely.  I don't go for the sound of a semi enough to justify a real 335, but this one has snuck into several of my recordings, and I've played it at a gig or two and at rehearsals a few times.

Mrs. P bought it for me for Christmas a few years ago.

AgileA1.JPG

Very nice. Good example. AOK
 
Cool guitar, Mark. I love those Tokai strat copies.

I've owned three since I started playing guitar in the late 80s.

All three were post lawsuit models with the modified headstock. All were 50s strat copies. One was black, the other was a two tone sunburst and last one was a bright red one. I had a chance to a/b my sunburst copy against a real '55 strat. My Tokai easily played as well. The real strat sounded better, mainly because of the pickups. IMHO, the pickups were the only weak link on those guitars.

I really regret getting rid of them now. thwap

tung
 
they are really great guitars...you can still probably find the ones from your era to be affordable...
 
markwein said:
they are really great guitars...you can still probably find the ones from your era to be affordable...

I'm keeping my eyes open. However, I did pay $100 for the black one back in '87-'88, $200 for the two-tone sunburst in '93, and $250 for the red one in '98. The red one looked brand new :i: I doubt I'll find one for those prices smi

tung
 
It's definitely a better "Strat" than my Suhr, which has all kinds of other things going for it. I'm glad I own both guitars...
 
vintage vs. modern, and all that.

yeah. The Suhr just has a different sound (and has a humbucker in the bridge). I have a hard time thinking of the Tokai as a vintage guitar in spite of the fact that its 31 years old. I do get a kick out of being the only owner (other than Fender Musical Instruments) of the guitar and that I bought it new 25 years ago. :)
 
Back
Top