WOW!
One of the first influences on me as a guitar player was George Lynch.... and his monsterous guitar tone.
Can you give us any insight?
Is he just that fine tuned into every piece of gear he uses... or would he sound that huge playing a banjo through an electric milk crate?
I have gotten to meet him very very breifly at an early backstage to bus signature run, a guitar clinic that he did years ago and recently watched him in a tiny club that maybe held 200 people. He seems very laid back and cool but you never know these days. Any side stories would be interesting as well.
I see you who have "composer" on your credits... have you done any for TV/film? What software do you use to create it?
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One of the first influences on me as a guitar player was George Lynch.... and his monsterous guitar tone.
Can you give us any insight?
Is he just that fine tuned into every piece of gear he uses... or would he sound that huge playing a banjo through an electric milk crate?
I have gotten to meet him very very breifly at an early backstage to bus signature run, a guitar clinic that he did years ago and recently watched him in a tiny club that maybe held 200 people. He seems very laid back and cool but you never know these days. Any side stories would be interesting as well.
Hello Scott, cool to have you here. "El Borrachito"? I did a beginner's Spanish course aeons ago, IIRC, that's "The little drunkard" or something?
One of the things I've found the most difficult to get right is mixing vocal tracks. I'd just like to know how you go about recording vocals to get them to sit in the mix right. Any info on no. of tracks, panning, EQ/comp/reverb/delay settings etc. etc. Cheers.
Hey Scott, good to have you here...I was just curious about your views on using modellers for recording guitar...I know that opinions as ever are mixed on this..and of course the right amp in the right room with the right mic etc, etc...is ideal but...do you/have you used a modeller for any professional recordings?
All about compression!
When I track, I rarely use eq unless I'm using a less than ideal mic.
I compress it some then, and quite a bit more when I mix. I'll add a little more top end then.
sf
Here's one I'm going to ask because I think it would be good for folks to see....
How possible is it to "Sound Proof" a room in a house?
When you hang things like Auralex on the walls in a room what does it really do?