Reading with the Bathman

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When Shek Yeung sees a Portuguese sailor slay her husband, a feared pirate, she knows she must act swiftly or die. Instead of mourning, Shek Yeung launches a new plan: immediately marrying her husband’s second-in-command, and agreeing to bear him a son and heir, in order to retain power over her half of the fleet.

But as Shek Yeung vies for control over the army she knows she was born to lead, larger threats loom. The Chinese Emperor has charged a brutal, crafty nobleman with ridding the South China Seas of pirates, and the Europeans―tired of losing ships, men, and money to Shek Yeung’s alliance―have new plans for the area. Even worse, Shek Yeung’s cutthroat retributions create problems all their own. As Shek Yeung navigates new motherhood and the crises of leadership, she must decide how long she is willing to fight, and at what price, or risk losing her fleet, her new family, and even her life.

A book of salt and grit, blood and sweat, Deep as the Sky, Red as the Sea is an unmissable portrait of a woman who leads with the courage and ruthlessness of our darkest and most beloved heroes.
 
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Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu’s sons, a gift to commemorate their return from British captivity. His fate—and the fate of the wooden tiger he helps create—will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe.

Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate. When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu’s palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.
 
I’m a little embarrassed to say this, but I’ve blown hundreds on rubber ducks over the past month, and I’m sad to confess that @baimun was probably an influence.

I hope that this satisfies him for a few weeks and that he’ll commit to reading a fucking book this summer.:howie:
 
Flamencology said:
I’m a little embarrassed to say this, but I’ve blown hundreds on rubber ducks over the past month, and I’m sad to confess that @baimun was probably an influence.

I hope that this satisfies him for a few weeks and that he’ll commit to reading a fucking book this summer.:howie:
Click to expand...

You are welcome. :helper:


My wife is far ahead of me (being a teacher on her summer break) starting her fourth or fifth book this summer while I'm only on my second... but I've also been trying to learn new songs for the summer gigs with both bands.

At our show last week I threw three new songs at them the week of.... so they got revenge and threw a Chris Stapleton song at me while we were on stage. I just watched our other guitarist's left hand for chords, noodled along, and then played a solo. :embarrassed:
 
@Flamencology ....

... I get home last night and there's an Amazon package. I open it up.... and it's a box of mother fuckin' rubber ducks. :annoyed:

I texted my wife "Did you get these for your class or did I forget to delete that wish list?"

"No, my Mom needed them for.... "

"Okay... I'm just glad they're not for us." :helper:
 
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Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.

Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.

With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.

Charon is Titus’s home and his heart. But where faith and violence meet, there will be a reckoning.

Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction” (The Washington Post).
 
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On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. For the explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career.

What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life, interweaving the lives of Laura Cumming, her Scottish painter father, who also died too young, and the great artists of the Dutch Golden Age. Thunderclap takes the reader from Rembrandt's studio to wartime America and contemporary London; from Fabritius's goldfinch on its perch to de Hooch's blue and white tile and the smallest seed in a loaf by Vermeer.

This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap. For the explosion of the title speaks not only to the precariousness of our existence, but also to the power of painting: the sudden revelations of sight.
 
I'm slogging through Laura Walls's biography of Thoreau currently. Good read, but 500 pages takes me longer these days than it used to. I blame social media and my lack of discipline.
 
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This is the story of Messalina - third wife of Emperor Claudius and one of the most notorious women to have inhabited the Roman world.

The scandalous image of the Empress Messalina as a ruthless and sexually insatiable schemer, derived from the work of Roman historians such as Tacitus and Suetonius, has taken deep root in the Western imagination. The stories they told about her included nightly visits to a brothel and a twenty-four-hour sex competition with a prostitute. Tales like these have defined the empress's legacy, but her real story is much more complex.

In her new life of Messalina, the classicist Honor Cargill-Martin reappraises one of the most slandered and underestimated female figures of ancient history. Looking beyond the salacious anecdotes, she finds a woman battling to assert her position in the overwhelmingly male world of imperial Roman politics - and succeeding. Intelligent, passionate, and ruthless when she needed to be, Messalina's story encapsulates the cut-throat political manoeuvring and unimaginable luxury of the Julio-Claudian dynasty in its heyday.

Cargill-Martin sets out not to 'salvage' Messalina's reputation, but to look at her life in the context of her time. Above all, she seeks to reclaim the humanity of a life story previously circumscribed by currents of high politics and patriarchy.
 
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In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction.

In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire.

Enraged at his wife’s betrayal, the once-gentle Malik beheads her. But when that killing does not quench his anger, the Malik begins to marry and behead a new bride each night. Furious at the murders, his province seethes on rebellion’s edge. To suppress her guilt, quell threats of a revolt, and perhaps marry the man she has loved since childhood, Shaherazade persuades her beloved father, the Malik’s vizier, to offer her as the next wife. On their wedding night, Shaherazade begins a yarn, but as the sun ascends she cuts the story short, ensuring that she will live to tell another tale, a practice she repeats night after night.

But the Malik’s rage runs too deep for Shaherazade to exorcise alone. And so she and her father persuade the Malik to leave Persia to join Saladin’s fight against the Crusaders in Palestine. With plots spun against the Seljuks from all corners, Shaherazade must maneuver through intrigue in the age’s greatest courts to safeguard her people. All the while, she must keep the Malik enticed with her otherworldly tales―because the slightest misstep could cost Shaherazade her head.

This suspenseful first-person retelling is vividly rendered through the voice of a fully imagined Shaherazade, a book lover whose late mother bestowed the gift of story that becomes her power. Created over fourteen years of writing and research, Jamila Ahmed’s gorgeously written debut is a celebration of storytelling and a love letter to the medieval Islamic world that brings to life one of the most enduring and intriguing woman characters of all time.
 
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