You have to do one commentary track for one feature film...

[Flamencology]

You can’t do any extra research. Stuff you’ve already learned — read in books, magazines, online, other commentaries — are all fair game, but you can’t revisit them.

You can choose whatever movie you like, but your commentary will be judged by a committee of film scholars.

If you fail, you will be spend the rest of your life being force-fed laxative-heavy ketchup.

Make your decision.

 

[Motorik]

J.G. Avildsen's W.W and the Dixie Dancekings

It has never been officially released on DVD. If they ever get around to releasing it and they need a commentary, I am the man for the job.

 

[Rick 381]

All though there are many films I have seen more times and like better I'd have to pick this one. I knew several people who are in it and have intimate knowledge of a lot of the equipment in the film having restored some of it. I spent 20 years in the business and know one or two things about it.

BTW, Charlton Heston was as bad in this movie as any other he made. It's almost painful to watch him.

 

[Flamencology]

All though there are many films I have seen more times and like better I'd have to pick this one. I knew several people who are in it and have intimate knowledge of a lot of the equipment in the film having restored some of it. I spent 20 years in the business and know one or two things about it.

BTW, Charlton Heston was as bad in this movie as any other he made. It's almost painful to watch him.

I’ve never seen it, so I can’t really help you much other than to tell you that in won the Beat Picture Oscar and that High Noon and The Bad and the Beautiful didn’t. I hope this helps.

(adds to his “to watch” list)

 

[Andrew Sak]

'It's death on a stick out there mate!'

'He's not coming back'.

 

[vonbladet]

"Von Bladet's masterful commentary has redefined 'laconic'."

 

[Bob411]

He's not coming back.

View attachment 51267

Good times.

http://markweinguitarlessons.com/forums/threads/i-am-hoping-that.88094/

 

[Bob411]

You can’t do any extra research. Stuff you’ve already learned — read in books, magazines, online, other commentaries — are all fair game, but you can’t revisit them.

You can choose whatever movie you like, but your commentary will be judged by a committee of film scholars.

If you fail, you will be spend the rest of your life being force-fed laxative-heavy ketchup.

Make your decision.

Will the person force feeding me have to open tiny packets of the laxative-heavy ketchup?

For my movie, I'm going with Seven Brides For Seven Brothers.

 

[jelloman]

Jaws...

 

[DdBob]

 

[Tralfaz]

I could probably do a decent commentary for Viva Las Vegas, having interviewed Ann-Margret, George Sidney (director) and David Winters (choreographer) specifically about this film in depth.

FWIW, I think George Sidney was one of the great underappreciated directors, a creative genius responsible for many innovations, which I would discuss in detail in the commentary track but will not bother going into here.

 

[smurfco]

Not joking.

 

[VoidTerraFirma]

Not joking.

FORTY MILLION FUCKING DEUTSCHEMARKS!!

 

[smurfco]

FORTY MILLION FUCKING DEUTSCHEMARKS!!

Get outta my goddamned scuba gear, you imbecile!

 

[baimun]

I could do this all day.....

 

[VoidTerraFirma]

 

[Knox in Box]

I decide not to.

 

[bsman]

or

I could pretty much recite each of these line-for-line, and would love to do commentary.

 

[Motorik]

I could probably do a decent commentary for Viva Las Vegas, having interviewed Ann-Margret, George Sidney (director) and David Winters (choreographer) specifically about this film in depth.

FWIW, I think George Sidney was one of the great underappreciated directors, a creative genius responsible for many innovations, which I would discuss in detail in the commentary track but will not bother going into here.

That's really cool. How was Ann-Margret?

 

[Motorik]

or

I could pretty much recite each of these line-for-line, and would love to do commentary.

Aw shit, The Warriors is a great choice!