Not quite the mental image I had of what you'd look like in a self portrait to be honest.
I do not have an American Sound but I do have an AC Tone and a British Sound. They punch above their weight class.Had a practice yesterday morning, then a gig in the evening. For the practice I tried something new. I got a Joyo American Sound last week and ran it DI rather than use an amp. Here's the chain: Tele > D'addario tuner > Turbo RAT > Blues Mood > Behringer VD400 analog delay> Joyo American Sound > > Mooer Trelicopter > DI box.
The American Sound worked great, and it kept up with the other guitarist who was going through an Orange. I wouldn't be afraid to gig it. I can barely believe something so cheap worked out so well.
That being said I didn't use it at my gig last night, I went with the pedal chain as mentioned but minus the American Sound, and into a Marshall JVM100 and it sounded absolutely massive.
I do not have an American Sound but I do have an AC Tone and a British Sound. They punch above their weight class.
Those little MicroCubes are great!!! I've got one.View attachment 98885
Fender American Special into Cube Baby modeller pedal into the Aux return of my old Roland Microcube.
What are you running through today? Post some pics.
I’m an Orange man these days. Played my first gig with my Dual Terror this past Wednesday and loved it. I also loved not lugging a Super Reverb which is something I’ve been doing for at least 25 years.
We shared backline so I set my DT on top of the guitarist in the next bands half stack and plugged it into his Peavy 4x12”. Sounded huge!
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Thank you! I got that baritone in the late 90’s with the intent of using it for the beautiful clean reverb tremolo thing. I did and still do but once I discovered that it also sounds fantastic with dirt it opened up a whole new world for me.Dano baritone through an Orange Terror, I would never have thought of that combination! That sounded fantastic! You always riff like a motherfucker anyway, and I l covet Dano baritones, but in my limited imagination they're always reverby and tremoloing. But that smashed!
I didn't think Oranges were my thing. I thought they were 'other people sound great playing them, but they're not my style'. But recently I've had the opportunity to actually play at volume with a full band through the TH100 and Crush Pro 120 (rather than playing in a music store) and they sounded fantastic. Now having said that...
(to be continued)
In my opinion what you need to do now is get an a/b box and run a Twin and an Orange half stack at the same time!Just got home from playing a gig and this was the backline. I've played through many, many Twin Reverbs and I really like them, but I didn't want to tell the singer 'I'm taking the Twin', so because we had a bit of time at the soundcheck I said 'let's take a minute and each try both.'
Anyway, the other guy didn't even get a chance to try. I started playing through the JCM900 and the sound engineer said 'no, you should go through the Twin. It'll sound better'. I needed no persuasion, and he was right.
So, same board as the previous post, but through a Twin Reverb. And it felt like home.