Telecaster 3-barrel bridge vs. modern 6-string bridge ?

surfsteve

Pendejo
I have 2 with the new style bridge. What am i missing? I see the "compensated" 3-barrels seem to be popular. Any other types to consider?
 
The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible ear to discern the difference.
Brad Paisley likes the three barrel.
paisleyfender-0cd10d26-b4f4-4854-b27b-99b13a782655.jpg
 
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Guitar #1: Alder & rosewood, Gotoh 6-saddle bridge, '52 pups

Guitar #2: Ash & maple, Klein compensated brass barrels, Nocaster pups

There's a very noticeable difference but I think there are too many variables for me to identify how much the bridge contributes to it.

As others have said, the 6-saddle is more precise and easier to tweak.
 
Yeah, I prefer the modern style. Can't say I can tell much of a difference sound wise.
Graphtech saddles on mine as well, which I can highly recommend.
 
The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible to discern the difference.
Brad Paisley likes the three barrel.
paisleyfender-0cd10d26-b4f4-4854-b27b-99b13a782655.jpg
This. I know the six saddle is better, but I’m not good enough to hear the difference in intonation.
 
I ask because a lot of tele players who I have watched from less than 20' have the old three-barrel. Most noticeably and recently several times, G. E. Smith. His tone was unbelievable, jaw-dropping.
 
The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible ear to discern the difference.
Brad Paisley likes the three barrel.
paisleyfender-0cd10d26-b4f4-4854-b27b-99b13a782655.jpg
There's two versions of the six-saddle bridge. There's the ashtray six-saddle, like what came stock on '70s Teles and comes in the case with the '52RI, and then the modern six-saddle.

The modern six-saddle sounds different. It's not as twangy with the same pickup. I would dare say that the overall tone is "meatier". That's because the bridge plate is a thicker piece of brass rather than the thinner stamped steel. I used to have a sunburst Tele that I switched from modern to three-saddle ashtray. The difference in tone was pretty big.

The six-saddle ashtray is a pain in the balls. When I had one on my blue Tele the saddles would shift all over the place when I bent strings. The Fender design isn't nearly as nice as the G&L design which has thicker screws and brass saddles.

The three-saddle bridge with brass saddles also sounds ballsier than the six-saddle ashtray without losing any of the classic Tele twang.

Saddle material will also make a difference. The big brass saddles sound different than the thinner steel saddles.

I run my three-saddle bridges with Fender's own non-compensated brass saddles and D'Addario EXL-110 strings and I have no intonation problems. I haven't tried the EB Cobalt Slinky 10s on my Teles, yet, but I have a feeling that they'll intonate just fine, too.
 
The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible ear to discern the difference.
Brad Paisley likes the three barrel.
paisleyfender-0cd10d26-b4f4-4854-b27b-99b13a782655.jpg

Guilty. I just don't like the look of the 6 saddle. I have the same problem with PRS guitars. They make some beautiful guitars but, if the bridge isn't a T O M, it just looks wrong to me.
 
My only problem with the modern 6 saddle was the cheap version on the mim tele I owned had a really annoying buzzy sympathetic vibration with the open G string.
 
My only problem with the modern 6 saddle was the cheap version on the mim tele I owned had a really annoying buzzy sympathetic vibration with the open G string.
I had the same issue too. Mine was a USA model, but that particular spec used the cheap ashtray 6 saddle and it drove me crazy. I switched to a Gotoh modern and I've never had another problem.
 
I switched from the 6 to a vintage 3 with ashtray. Not going back.

There are techniques to dial in intonation on a 3 barrel that work wonders, just like there are ways to eliminate tuning stability issues with Strat trems. Some people are unwilling to do the work, and blame the hardware.

Besides that, the vintage 3 barrel just looks better, with or without the ashtray.
 
I switched from the 6 to a vintage 3 with ashtray. Not going back.

There are techniques to dial in intonation on a 3 barrel that work wonders, just like there are ways to eliminate tuning stability issues with Strat trems. Some people are unwilling to do the work, and blame the hardware.

Besides that, the vintage 3 barrel just looks better, with or without the ashtray.

What manufacturer 3-saddle did you use? Is it an easy swap? Is it a compensated type?
 
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