The only thing you’re missing when you use a six saddle bridge is intonation issues. Don’t even worry about it.
This. I know the six saddle is better, but I’m not good enough to hear the difference in intonation.The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible to discern the difference.
Brad Paisley likes the three barrel.
There's two versions of the six-saddle bridge. There's the ashtray six-saddle, like what came stock on '70s Teles and comes in the case with the '52RI, and then the modern six-saddle.The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible ear to discern the difference.
Brad Paisley likes the three barrel.
The six saddle version allows you to get more precise intonation. A lot of folks prefer the look of the traditional three barrel bridge. You'd have to have a pretty incredible ear to discern the difference.
Brad Paisley likes the three barrel.
I had the same issue too. Mine was a USA model, but that particular spec used the cheap ashtray 6 saddle and it drove me crazy. I switched to a Gotoh modern and I've never had another problem.My only problem with the modern 6 saddle was the cheap version on the mim tele I owned had a really annoying buzzy sympathetic vibration with the open G string.
I switched from the 6 to a vintage 3 with ashtray. Not going back.
There are techniques to dial in intonation on a 3 barrel that work wonders, just like there are ways to eliminate tuning stability issues with Strat trems. Some people are unwilling to do the work, and blame the hardware.
Besides that, the vintage 3 barrel just looks better, with or without the ashtray.