Pedal of the Day 7-14-09 Analogman King of Tone

Mark Wein

Grand Poobah
Staff member


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Why the long wait and delays?

Here is some info on the KoT Saga
This is the story so far
KOT DELAY PAGE kotdelay.htm
<--- CLICK HERE for waiting list status etc.

Be sure to go to the link above before asking me for status (then please refrain from asking as there is nothing more I can add at this time, thanks!!!)
Reader's digest version :

When you reach the top of the waiting list, you can get any available version of the KoT pedal. The list is over a year long at this time, see the KOT delay page (link is above) for the exact length of the list. List had been closed nearly a year, now it's open again. Click HERE TO EMAIL analogspam TO GET ON THE LIST.
Please use this link ONLY to get on the list, or if it does not work for you just send an email to analogspam at aol.com. For status questions, etc, please email analogmike. All other emails sent to analogspam can not be replied to, sorry!
The list is semi-automated so we can't really answer any questions when you get on the list. We don't need any phone or mailing address info, just email from your best email address for us to put on the list. It may take us a few weeks to process your waiting list additions and but we will get to them and email you back. If you don't hear from us within a few weeks please try again, maybe from another email address. No need to prepay or put down a deposit, we will give you ordering info when your pedal is ready to ship.
Please don't ask for status on the list unless you are close to the SHIPPING date on the King of Tone delay page. We just can't afford to spend an hour a day on list administration. Thanks!

Info on older model King Of Tone pedals

Here is some info on the Ver2 and Ver3 pedals. The info below covers the current Ver4 model. King of Tone pedal info

Analog Man, in collaboration with Jim Weider, have come out with the pedal we have been looking for for many years - the King Of Tone (KoT). There are many overdrive pedals on the market, but none of them have been quite right, preserving the tone of the guitar and adding the right amount of overdrive without compromise. There are some good clean boosts available, but they just don't have enough drive to really give your amp the distortion you often want. There are some newer OD pedals that have a great frequency response, but to me they sound too DRY, sterile, and cardboardy. That is where the King Of Tone pedal comes in - it has enough warm overdrive but still preserves the tones of your quality guitars and amps.
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Jim had been using an original TS-808 for well over 20 years, it's now housed in a 1980s TS9 case after Rick Danko stepped on it at a concert that THE BAND played. Jim likes the tone of his TS-808, but has always found it loses some low end and is a bit too heavy in the mids. I also love TS808s and have sold thousands of TS9s with our TS808 mods. But sometimes I have wished for a less compressed, more open and natural sound with more of the guitar's actual tone, or as Jim says "you can hear the note better". A Tube Screamer makes it easier to play and sound good due to the compression and vocal midrange boost, but a master player like Jim would often prefer less coloration to allow his techniques and superb tone to get through.


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The King Of Tone overdrive was designed to take an amp at reasonable settings, and make it sound like it would sound if it were naturally driven to pure, smooth, tube distortion. It was fine tuned with Jim's 1960s Fender Deluxe Reverb amp to duplicate the sound when his amp is singing, but at lower volume settings - to simulate the natural tube amp distortion of preamp and power tubes. It does the same thing on other amps like Vox, Marshall, etc, making them sing in their own voice. Jim's amp was modified by our good friend the late Cesar Diaz, and is about the best sounding Fender amp I have heard. Later on, I tested the KoT on my own 1966 Deluxe Reverb amp. My amp is stock, and does not sound that great when it's cranked up. It gets loud but not very warm or singing, a little harsh. My amp sounds MUCH better using the KoT for overdrive, then it sounds very close to Jim's amp.

Tube Screamer comparison

Everyone seems to know what a Tube Screamer sounds like, so we can use them to describe the KoT sounds. Even our modified Tube Screamers and all the TS clones out there are still basically tube screamers, so this info will still apply. The KoT is one of the few overdrive pedals available that is NOT based on a Tube Screamer circuit. It does not have a huge amount of distortion. In OD mode, it has a little less drive available than a Tube Screamer. It has quite a bit more volume available than a Tube Screamer and The TONE control has a similar range. The KoT has less compression than a tube screamer, and also does not boost the mids or cut the low end as much.
Once we had a prototype that Jim liked and used on stage several times, I emailed the circuit to my collaborator in Japan, Ohbayashi san, and he tried several ideas I gave him. CAMTAC Ohbayashi san has a suberb ear for details like capacitor and chip selection and came up with some great ideas for the pedal- a chip and diodes that made it sound even better! The special JRC chip he preferred was designed for audio tone controls, and has a warm yet clear sound. The diodes are more open sounding, for a stronger, clearer, less compressed sound and more volume. All the nuances of your playing and each string of the guitar will come through clearly.
For more info on this pedal in Japanese language, please check out Ohbayashi san's King Of Tone page.
 
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The Version 4 King of Tone was developed in late 2005 due to popular demand for seperate controls for each channel of the original 4 knob KoT. The original KoT was one overdrive circuit, with 2 channels, having seperate volume controls and internal configurations. Almost all "dual overdrive" pedals available are like this. The Ver4 KoT is actually TWO overdrive pedals in one box, one on each side. Each side has an on/off switch, LED, and three independant knobs. Each side also has configuration DIP switches and a TREBLE trim pot on the inside. Having two actual overdrive circuits allows you to use both pedals at once, in series, for even more possible tones and levels of drive!
Each side has it's own Volume, Drive, and Tone control and LED. We use SUPER BRIGHT Yellow and Red LEDs so you can easily tell which channel is selected. In addition, there is a TREBLE BOOST knob on the inside of the pedal. This is a small knob or trimpot which can be turned by hand or with a pick or small screwdriver. Jim does not need more treble for his Tele, but I found it allowed some superb tones with my '59 reissue Les Paul through my '69 Marshall amp, similar to the sweet yet biting tones of Michael Bloomfield (I believe he used a Fender Twin amp with his famous 1959 sunburst).
DIP switch settings

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There is also a four position configuration DIP switch on the inside of the KoT which you can use to choose between Clean, OD, and DISTORTION modes for each side. I designed this switch to allow almost anyone to be able to find the exact sounds they want. This picture shows the factory settings. It is two pairs of two switches, the left two switches are for the red side and the right two for the yellow side. You can set either side to normal OD mode or CLEAN mode by moving it's OD/CLEAN dip switch (switch 1 or 3). You can set either side for additional distortion, with the DIST dip switches (2 and 4). When you turn one of these DIST switches ON you get significantly more and harder distortion, and a little less volume. When the DIST switch is on you can't get the normal OD or CLEAN modes on that side. See the manual for specific information on setting the DIP switches.

The modes are:
1) Normal Overdrive mode (OD mode): This is the standard King Of Tone sound, which Jim likes best- a little less drive available than a tube screamer. Factory DIP switch setting has this mode on the right (red) channel. This mode can get about 4 times louder than a tube screamer if desired.
2) CLEAN mode : This mode has less drive, can be used for clean boosts or clearer, louder sounds. It's like a clean boost with an overdrive knob. CLEAN MODE is even less compressed than the standard OD mode. The factory DIP switch setting uses this mode on the left (yellow) channel. This mode can get twice as loud as the OD mode. You can think of the clean mode as the OD mode with the overdrive removed, allowing louder, clearer tone. But the drive knob still functions and can add some drive to the sound, and volume as it's turned up.
3) DISTORTION mode : This mode has more drive than the standard OD mode- a touch of hard distortion. The sound is more compressed, yet retains the King Of Tone character. This mode can get about twice as loud as a tube screamer. Think of this mode as a cross between a Boss DS-1 distortion and OD-1 overdrive, with more clarity. We recommend most players use the OD and CLEAN modes. While the DIST mode sounds great, and I like to use it on certain occasions, it does not allow the pedal to get it's absolute BEST tones. You can put an aged single malt Scotch whisky on ice, but it would be a shame to dilute it! The DIST mode is better with the HIGHER GAIN option. it's best to turn the OD dip switch down when using the DIST mode, especially with the higher gain option.
Either side can be set to any of the three modes, with the DIP switches. I recommend setting the right side for most distorted sounds and the left for cleaner, then when used together you get more of a volume boost. But if you want more distortion and compression, you can try it the other way around too.
At low DRIVE settings, or when playing softly, there is not much difference between the three modes- they all clean up very nicely. This pedal cleans up a lot better than a Tube Screamer type pedal, if you play softly or turn your guitar down they will not have the underlying fuzziness that most pedals have.
Players of the King of Tone


On the left is King of Tone pedal number 1, used by Brad Whitford on Aerosmith's late 2003 and 2004 tours of the USA. Click on the picture for more info. He was still using it when I saw his board in 2006. Other early users of this pedal were Mark Karan, Dave Malone from The Radiators, Steve Kimock, Andy Powell and Ben Granfelt of Wishbone Ash , and Al and Chuck from moe. Also Sid McGinnis has been using it on the David Letterman show, and likes running it in front of his wah sometimes for a really cool tone when they play some Clapton tunes. I sent Sid several chips to try (he loves tweeking!) and he likes the TS-808's JRC4558D chip in his KoT with his 50s Strats and Teles into his tweed amps. On the right is part of Dave Malone's pedalboard from January 2004, with the King of Tone nestled between his old reliable TS9/808 and Analog Man Clone Chorus. The KoT works great along with a tube screamer for some extra drive and thickness. Click on it for some more pictures of him from the show.
 
In spring 2004 Noel Gallagher from Oasis got one and is using it a lot along with his mini bicomp and DD-6 with high cut mod. Scott Coney from the George Jones band was lucky to score a used one and it replaced his KLON. John Rzeznik of the Goo Goo Dolls got one in early 2006 and I hope to see it on tour promoting his new CD. John said It's amazing, I love the articulation I still get even though it's distorted (heavy but not metal) and the boost is perfect for solos. Rontrose Heathman of the Supersuckers told me he loves his ver2 KoT pedal that he got for Christmas. John Platania has been using his Ver2 KoT pedal with Van Morrison and Chip Taylor among his other projects. Toshihiro Sumitomo of the Japanese band BLUESTONE COMPANY has been using his KoT Ver4 for his awesome slide guitar work on tour along with Chris Duarte. He is also using our AR20DL analog delay and TS808/silver pedals. David Bryson from Counting Crows loves his and got a second one for the studio. Pat Travers has one for studio use, he does not use dirt boxes for live playing though. Rogers Stevens of Blind Melon got a KoT from us in 2007 and says he pretty much left it on all the time since getting it, recording their new album. Shayne Hill from Sawyer Brown used a V2 KoT for three years, then got a Ver4 in late 2007. He wrote: I think I have owned every pedal made Mike, and this KoT Ver4 is far and away my favorite overdrive ever..... period. . Kenny Wayne Shepherd got one from me on the Experience Hendrix tour and it was steadily on his pedalboard in 2008. I brought Doyle Bramhall II a KoT when I saw Kenny in '08 and Doyle was using it on his Arc Angels tour in 2009.
Luther Dickinson joined the Black Crowes for their 2008 tours and grabbed a KoT before heading overseas for the first legs. He wrote me: Hey! Just got home. We went 'round the world and the King Of Tone sounded great thru every crazy backline amp I had! It saved the day! Thanks, bro! LAD. Rich Robinson of the Black Crowes got one from Jim Weider while at Levon Helm's studion in Woodstock, and used it on a few tracks of their 2009 album. Rich was using it along with just a wah when I saw them play their last live show at the barn on 3/7/09, which was also recorded for the album and maybe a DVD.
Marc Ribot got a ver2 KoT in 2008, he's a killer player! I first saw him with Robert Plant and Alison Krauss on the CROSSROADS TV show, strangling leads out of his old 1950s Harmony guitar. He got a Ver4 as a backup in 2009 and said, can't tell you how much I enjoy the analogman pedal. As far as i'm concerned, its the best distortion ever. Buddy Miller, the other Plant/Krauss electric guitarist, has an awesome new Buddy and Julie album called Written in Chalk. Buddy got a KoT in 2009 and said he was taking it on the road along with his Bicomp after he recovered from his heart surgery. Another Nashville player, Brent Mason, has been seen with his V4 KoT in recording sessions and borrowing Sol Philcox's KoT pedal when he plays out. And yet ANOTHER awesome Nashville axe-slinger, Bill Hullett, wrote:
You once again have created a pedal that once you hear & try it you'll wonder how you did without it!! The complaint that everyone always has about distortion pedals is that they sound fizzy or buzzy and you tweek and tweek and if you're lucky you find something tolerable at best and you have to weld the knobs down to ever use the thing.... With the King Of Tone you can tweek and tweek and all you get is a boatload of great variances of world class amp style distortion....It sags and breaths just as if the amp were creating it!! and the touch sensitivity of the pedal is light years above anything I've ever plugged into to try and get distortion !!!! Thank You for designing and building this!
Brian Wooten (Trace Adkins band) got one in 2008 and sent in in for the higher gain option in 2009. Stu Kimball, guitarist on the Never Ending Tour got one in 2008 and noted I like when you turn a knob and it actually does something...The Kot provides this and more... It compliments the sound of your instument and amp..
Nick Sterling got one in 2009 and wrote: Unbelievable pedal man, I’m totally blown away! Incredible overdrive! I really like the way that it is so touch sensitive; from clean to gain all with my right hand. It’s got a great clean boost and just enough drive for leads. I thought that the clean side almost had a Voxy type crunch to my ears. I have yet to tweak the internal dip switches, honestly because I’m totally diggin it just the way it is! Very, Very cool pedal!
 
too much hype, too high priced, too long a wait for two marshall bluesbreakers in the same box.


I've never really checked one out. After waiting several months for a CompRosser and not being in love with it I decided that the rest weren't worth looking into.
 
I've never really checked one out. After waiting several months for a CompRosser and not being in love with it I decided that the rest weren't worth looking into.

i don't have any Analogman or Keeley stuff. i just don't buy into the modded thing. also, they're mostly focused on the tubescreamer market and that's just not my thing. for items like this, i just don't see it being worth the hype or the wait. but then, i'm pretty much set with my gear too.
 
i don't have any Analogman or Keeley stuff. i just don't buy into the modded thing. also, they're mostly focused on the tubescreamer market and that's just not my thing. for items like this, i just don't see it being worth the hype or the wait. but then, i'm pretty much set with my gear too.

I was into it for a while, but drifted into other things. I've had both Analogman and Keeley DS-1's and an Analogman Silver Mod TS-9. Ultimately none of it made me very happy so I sold them.

I really dig the stuff I have now in terms of drive-type pedals...if money wasn't an issue I'd probably get the MI Tube Zone, a Timefactor and maybe a Modfactor. The Tubezone will probably be my next aquisition but after that I'll need to chill for a while.
 
I know a couple of people who swear this is the holy grail of OD pedals. I'm agree with Howie - too much $$ and too long a wait for a pedal.

At one point I had an Analogman Juicer and really liked what that did. Another pedal I never should have sold....
 
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