I think my wife was abducted

dodgechargerfan

CanadianGary
Administrator
Or possessed.
Or inhabited by an alien parasite.
Or something.

We went on a day trip yesterday.
It was a long drive. We took nothing but country roads. No highways.
The weather was great once we got out of our home area.
The little town we visited was really cool. Town square type of place right on the shore of Lake Huron.
There happened to be a festival going on that we didn’t even know about. So, even more stuff to take in.

There is also a music store…
Nothing too fancy, but good stuff for the market there which is mainly students. They also teach lessons.
She left me unsupervised.

I spotted an Art & Lutherie Roadhouse parlour guitar and played it. It’s a great little guitar and it played and sounded great.
Mrs DCF and daughter DCF came back in the store, asked me about the guitar. Asked if I was going to get it. Asked how much it was. (I didn’t know yet.)
And then left again with a bit of an eye roll.

So, I played it a bit more. Asked for the price. Then looked at the pedals they had in stock.
And left.
When I caught up with everyone, Mrs DCF asked if I’d put the guitar in the truck already. I told that I didn’t buy and the price. She didn’t seem to like the price for what it is. I think it was a fair price but more money than I need to spend on something that I didn’t really need.

As we were about to head to the boardwalk for a walk along the water, Mrs DCF told me that they saw some guitars in the antique shop right near where we had parked.

So, we popped in and she showed me a Simon & Patrick acoustic. I didn’t pay attention to the model, but it was bit bigger than a parlour.

Then I spotted an Epiphone that they hadn’t seen. Nothing exciting.

Then she showed me this other thing at the back of the shop.


IMG_4346.jpeg


Much more than the A&L Roadhouse.
Mrs DCF didn’t even flinch. Hence the concern about possession/abduction/etc.

A mad dash to the ATM and a good chat with the shop owner who, it turns out, has a history with some of my favourite bands when I was a kid, and diggin out the original case, and I took it home.

I have to give it a good cleaning and go through it all. Here are some preliminary pics.

This is the Ampeg Wild Dog Deluxe from 1963 or 1964. Made by Burns for Ampeg and the U.S. market.
Apparently, low-output pickups intended for teh jass toanz.

It’s strung with flat wounds right now and I might try and save those for now.

IMG_4387.jpeg



IMG_4385.jpeg


IMG_4385.jpeg


More pics to come after cleanup.

Any thoughts on what might have happened with Mrs DCF?

The real Mrs DCF loves me, I’m pretty certain, but this? This is weird.
 
I cleaned the inside of the case with a dry fabric cleaner and it took the stink out. Mostly.
I left it in the garage, open and standing on end to air some more. Most of the smell is the cleaner and I don’t like that either.

But it’s nice enough and it’s the original case.

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IMG_4395.jpeg


It’s seen a smoky lounge or a thousand.

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I got the guitar clean enough to plug it in and test it out.
It all works as it should.
There was a crackle in the tone pot that went away after two spins of the knob.
The volume knob feels a bit tight or sticky, but it works as it should.
All the positions on the selector knob work and make different sounds.

The pickups are low-output but I quickly ran through a handful of presets on the Spark 40 and I can get some fun tones.
A clean tone will need a lot of volume, but not in a bad way. It’s just different.

One thing that I found while testing it is that the bridge is flat. Dead flat. The neck has a radius. That feels weird. Not a show stopper, but it takes some getting used to.
I think if one were playing a gig and switched guitars between songs, this would mess you up for a few seconds. Not a complaint. Just an observation.
Another odd thing is the knob placement. It would be much more functional if the volume and selector knobs switched places. Honestly though I didn’t even notice until about 15 minutes into testing.

It needs some more cleaning and I want to open it up and get a look at the electronics and clean them up.
I’m tired and cranky so that’s not going to happen today.
 
Mrs bsman doesn't even blink when I get a guitar anymore. FYI, I would totally be interested in the Roadhouse parlor (that's right in my sweet-spot) if I didn't have a Waterloo in almost exactly the same size.
 
Cool Ampeg guitfiddle. Happy Vintage Guitar Day!

As for Mrs DCF, beware if she strikes a similar pose to this….
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And, don’t fall asleep next to any suspicious looking flower pod plants….
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Well, the bridge is not original.

The originals had six individual and adjustable saddles.
IMG_3119.jpeg


Mine has some sort of cobbled together thing that is flat and straight. Intonation is impossible.

IMG_4400.jpeg



I can’t fathom why anyone would change out a system that was seen as relatively innovative in its time.
If it were a repair scenario, why use a shitty straight bar bridge?

I’m starting a search for an original or original-style, but I’m tempted to see if a tune-o-matic will fit on the studs that are already there.
 
Well, the bridge is not original.

The originals had six individual and adjustable saddles.
View attachment 96874

Mine has some sort of cobbled together thing that is flat and straight. Intonation is impossible.

View attachment 96875


I can’t fathom why anyone would change out a system that was seen as relatively innovative in its time.
If it were a repair scenario, why use a shitty straight bar bridge?

I’m starting a search for an original or original-style, but I’m tempted to see if a tune-o-matic will fit on the studs that are already there.
i'm thinking a tune-o-matic would be way to high.
 
wow that is cool!

a Gretsch bar bridge might fit on there too. Still wouldn't let you adjust intonation but would be radiused... and you can get compensated ones too...
 
Well, the bridge is not original.

The originals had six individual and adjustable saddles.
View attachment 96874

Mine has some sort of cobbled together thing that is flat and straight. Intonation is impossible.

View attachment 96875


I can’t fathom why anyone would change out a system that was seen as relatively innovative in its time.
If it were a repair scenario, why use a shitty straight bar bridge?

I’m starting a search for an original or original-style, but I’m tempted to see if a tune-o-matic will fit on the studs that are already there.
That is odd. On the other hand, that’s about all you get on most acoustic guitars, a straight piece of bone, not exact intonation. There may be some advantage to what was done. Perhaps, the whammy stays in tune better after the modification or the sustain is increased. But, neither seem very likely to be the case.
 
I did some research on the bridge. I chatted with Deke Dickerson. He had been in NYC this past week and had posted pics of another Burns guitar on FB. So, I reached out to see if he knew anything about the Ampeg.
He put me in touch with the guy from retrofret.com and I’ve been exchanging emails with him. I’m hoping to find an original, a repro, or just something that will work kinda like the original concept.

Today, I did some sleuthing on what’s in there now.

It’s pretty much just a chunk of aluminium with a bridge plate on it.
This bridge plate idea is apparently a thing with some Rickenbacker models, too.

IMG_3197.jpeg


The bridge/tailpiece mounting plate is pretty simple. The vibrato mechanism, even more so. Just a big ol’ spring.
The original bridge and saddle setup in the last quarter of this group is unique though. A slot in the side of the saddle lets you thread the string underneath without have to fish t through the middle.


IMG_3198.jpeg


I hope that I never have to do anything with the electronics.

IMG_3199.jpeg
 
Also, I got the intonation pretty darn close.

That bridge plate was on there backwards.
The pins are offset.
When I flipped it around, the pin on the bass side is a bit further back.
That helped the intonation a ton.

I’ve got Gibson vintage strings on there now. Sounds good.
 
Or possessed.
Or inhabited by an alien parasite.
Or something.

We went on a day trip yesterday.
It was a long drive. We took nothing but country roads. No highways.
The weather was great once we got out of our home area.
The little town we visited was really cool. Town square type of place right on the shore of Lake Huron.
There happened to be a festival going on that we didn’t even know about. So, even more stuff to take in.

There is also a music store…
Nothing too fancy, but good stuff for the market there which is mainly students. They also teach lessons.
She left me unsupervised.

I spotted an Art & Lutherie Roadhouse parlour guitar and played it. It’s a great little guitar and it played and sounded great.
Mrs DCF and daughter DCF came back in the store, asked me about the guitar. Asked if I was going to get it. Asked how much it was. (I didn’t know yet.)
And then left again with a bit of an eye roll.

So, I played it a bit more. Asked for the price. Then looked at the pedals they had in stock.
And left.
When I caught up with everyone, Mrs DCF asked if I’d put the guitar in the truck already. I told that I didn’t buy and the price. She didn’t seem to like the price for what it is. I think it was a fair price but more money than I need to spend on something that I didn’t really need.

As we were about to head to the boardwalk for a walk along the water, Mrs DCF told me that they saw some guitars in the antique shop right near where we had parked.

So, we popped in and she showed me a Simon & Patrick acoustic. I didn’t pay attention to the model, but it was bit bigger than a parlour.

Then I spotted an Epiphone that they hadn’t seen. Nothing exciting.

Then she showed me this other thing at the back of the shop.


View attachment 96832

Much more than the A&L Roadhouse.
Mrs DCF didn’t even flinch. Hence the concern about possession/abduction/etc.

A mad dash to the ATM and a good chat with the shop owner who, it turns out, has a history with some of my favourite bands when I was a kid, and diggin out the original case, and I took it home.

I have to give it a good cleaning and go through it all. Here are some preliminary pics.

This is the Ampeg Wild Dog Deluxe from 1963 or 1964. Made by Burns for Ampeg and the U.S. market.
Apparently, low-output pickups intended for teh jass toanz.

It’s strung with flat wounds right now and I might try and save those for now.

View attachment 96833


View attachment 96834

View attachment 96835

More pics to come after cleanup.

Any thoughts on what might have happened with Mrs DCF?

The real Mrs DCF loves me, I’m pretty certain, but this? This is weird.

Roll with it man and enjoy the guitar!

What this probably means is that *she* wants something. You'll hear about it in a week or two "Well you bought that guitar so I want this Gucci purse! Fair is fair!"
 
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