F
fanuvbrak
Guest
ca. '69 Yamaha SA-50 Archtop, (front), (front/back), (headstock), (closed f-holes), (features), (tuners/pickguard), (case). A fantastic player in nice vintage condition. If you're a fan of low action, like the 60's Gibson archtops, you'll love this guitar. Action is cut very low at the nut and stays parallel with the fretboard all the way to the top fret. Appears to be loosely based on an ES-335, although perhaps an inch smaller in the lower bout. Features include: semi-hollow slim body, double cutaway, double f-holes with factory "dampers" installed; multi-ply body binding; bound neck; bound f-holes; bound headstock; real mother of pearl fretboard inlays; Yamaha proprietary tremolo with a fully-adjustable roller bridge; two small humbuckers; three-way switch; volume-tone-balance pots; mono output; zero fret, 22-fret set-in neck; single truss rod; thin profile neck shape; rosewood fretboard; bone nut; Yamaha non-locking tuners (replaced with Kluson style); and 24 3/4" scale. The way the balancer control seems to be designed to blend in the bridge pickup, effective with the 3-way in the middle position, which lets you balance the neck pickup with any amount of the bridge. Depending on where you have the 3-way set, it can zero the output so I've found it best to simply keep it set in the middle which allows the 3-way to act as a normal 3-way. This guitar has a nice mellow tone which would lend itself especially to jazz players. The f-hole covers are recessed and I'm assuming were designed to cut back on feedback that many hollow or semi-hollow body guitars are prone to. Yamaha archive pages have production of this guitar from '67 to 72 and from others that I've seen, I'm guessing it's serial, 1561, places it around '69. Japan-made Yamaha's are among the best imports made and Nippon Gakki was a premier builder during this era. For a guitar of this obvious quality and superb playability, a nice buy at $899. Includes heavy-duty original case in nice shape.