DIY Stratocaster Build - hand tools only

irishstu

really experienced
DIY Stratocaster Build - hand tools only pt 1

Morning, all. I thought that, since Mark is trying to promote a kind of DIY/lutherie thing at the moment, I would take the opportunity to post about my DIY strat build.

Unlike some of the other excellent builds from the likes of
73Custom/GuitarNoobie, this one was made with mostly handtools and a total absence of previous experience. I thought it would be good to post about it to show you that pretty much anyone can make an electric guitar.

I learnt a LOT making this guitar and if I did it again, I would do quite a few things differently. However, I did end up with a very fine guitar and after a recent upgrade, it is currently my go-to guitar.

One of the beautiful things about attempting a project like this is that little things like setups, pickup swaps, etc., seem like a piece of cake afterwards. I would really encourage you to try something like this if you have been thinking about it.

Please do ask me questions along the way, because, like I said, I learnt a lot and would maybe advise people to attempt some of the steps in a slightly different way.

Anyway, on with the show...

OK, the first thing I needed was to get my hands on a reference Strat-like guitar (at the time I did this, there was very little info online and strat plans were hard to come by, although now I suspect it's a piece of cake).

It's not hard to get your hands on a Strat copy, and right enough, a friend of a friend happened to have one. I borrowed it and drew an outline around it on a big piece of paper.

Doing this on paper was a bad move, I now realise. A much better option would have been to trace it onto card. In fact, if you're really serious about this, tracing it onto a piece of thin wood would be even better.

bodyplan.gif


OK, so now I had my outline and a few measurements. The next thing was to find a nice big bit of wood. As it happened, the same friend of a friend worked in the timber industry and was able to source me some.

Now I had to figure out which wood to ask for.

I did some investigation and found that real Strats were made of ash or alder. My friend of a friend (the one in the timber industry) informed me that he could more easily source some ash, so I happily gave him the dimensions I needed. The wood had to be 45mm thick and at least as big as the outline template I had made. A little bit extra around the edges gave me some room for avoiding blemishes, etc., or placing them where they would not be seen (like under the scratchplate, for example).
Here's a photo of the chunk of wood as it arrived. In fact it is two pieces glued together. It arrived already glued, and importantly, had been well dried out.

blockofwood.jpg


Unfortunately this wasn't the "swamp" ash used in most real Strats, but the ash that (I think) is more commonly used in the construction of baseball bats (northern ash). That stuff is solid! It also weighs a tonne. This was something I wasn't going to realise until I finished the guitar and picked it up for the first time. Anyway, learn from my mistake; get "swamp" ash. Luckily the ash I got still gives great tone.

So anyway...

Now that I had my outline and my chunk of wood, it was time to get cutting. I was very excited about this, because I was finally going to get my hands dirty. Firstly I taped the paper outline to the wood (trying a few different positions to minimise/hide blemishes in the wood). Here's what I came up with:

planonwood.jpg


Now there are many reasons why the paper-taped-to-wood option was not a good way to go about this, but I won't go into too much detail. I'll just say that you should look into using card instead of paper, and drawing an outline around it onto the wood, instead of sticking anything to it. Now... you see that great big knot to the left of the photo? That's the sort of blemish I was happy to remove.

Did I mention that I had hardly any tools? I managed to borrow an electric jigsaw for this next part, and I broke the bank and bought a couple of clamps to hold the block of wood down while I was cutting it. Here's what the edge will look like after cutting it out with an electric jigsaw. (Lower edge only. I had already smoothed the rest before I remembered to take this photo.):

roughcut2d.jpg


My advice here is not to cut too close to the outline, as the jigsaw tends to not cut exactly downwards. This means it could cut closer at the bottom than at the top. Also, erm... I know it should go without saying, but remember to move your block of wood from time to time, so that you don't cut into your table/workbench. Or in my case.... the dining room table (yeah, no kidding).
 
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You go boy! I am doing a build/build this month too. I have some big pieces of red cedar coming that I am cutting my body from, really pretty. Can't wait to see more. How much did you spend on your blank? I have a lumber guy that I am getting some supplies from and the cost is waaaaaaay better than ordering, but he has more construction grade and less highly figured woods. He does have a kiln though and I plan on drying anything that I procure from elsewhere that needs it in his kiln.
 
Unfortunately this wasn't the "swamp" ash used in most real Strats, but the ash that (I think) is more commonly used in the construction of baseball bats (northern ash). That stuff is solid! It also weighs a tonne. This was something I wasn't going to realise until I finished the guitar and picked it up for the first time. Anyway, learn from my mistake; get "swamp" ash. Luckily the ash I got still gives great tone.

Yoza! I've got a nice stash of northern ash that was harvested locally that I've used for woodworking & furniture stuff....that's some dense and heavy stuff compared to the typical swamp ash. There's a big slab that I've got plans to turn into a V but I expect it's going to be a mighty bright guitar.

Good luck with the build!
 
i'm in and thanks for the comment, but my experience is fairly limited as well.... munch0
 
You go boy! I am doing a build/build this month too. I have some big pieces of red cedar coming that I am cutting my body from, really pretty. Can't wait to see more. How much did you spend on your blank? I have a lumber guy that I am getting some supplies from and the cost is waaaaaaay better than ordering, but he has more construction grade and less highly figured woods. He does have a kiln though and I plan on drying anything that I procure from elsewhere that needs it in his kiln.

Man, you know I was going to give you a name check in the first post, then I had to remind myself that this isn't HC and I don't think you've posted any of your builds here (or have you?) Anyway, both you and 73Custom/GuitarNoobie have been really great inspiration since I signed up at HC (even though I built this guitar before then).

Edit: I think the wood cost me about 4000pts, but it was a long time ago and in Spain, so probably doesn't have much relevance. I think it worked out at about US$30 at the time though.

Yoza! I've got a nice stash of northern ash that was harvested locally that I've used for woodworking & furniture stuff....that's some dense and heavy stuff compared to the typical swamp ash. There's a big slab that I've got plans to turn into a V but I expect it's going to be a mighty bright guitar.

Good luck with the build!

Thanks!
I'm so glad to hear someone else knows what it's like to work with northern ash. I mean, it's not as bad as working with, say, ebony, but it's still hard work. As for your V plans, the sound is bright, but not too much. You could definitely get the tone you wanted with the right pickups I'm sure.

i'm in and thanks for the comment, but my experience is fairly limited as well.... munch0

Hey man. :Wave:
 
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DIY Stratocaster Build pt 2

After cutting out a rough outline with the jigsaw, I tried various tools. I wanted to find one that would be able to remove a decent amount of wood if necessary, but also leave a smooth-ish finish. I tried various grades of sandpaper, a plane, chisels and a flat rasp (practise on a scrap piece of wood!) None of them were really suitable. Then I got my hands on one of these!

roundrasp.jpg


It's a round rasp (mine was made by Stanley). That thing was unbelievable. It cut through the ash like a hot knife through butter and left behind a very acceptable surface. I used it to not only smooth the sides, but also the sculpt out the area at the back of the body (that leans against your ribs) and at the front (that your forearm rests on), as shown below:

rasp3.jpg


So far I had made a rough cut of the guitar body shape, then finished it off and sculpted a little bit with the round rasp. After that, a bit of sanding and I was done with the basic body shape. For sanding, make sure you use a sanding block on the front and back faces of the guitar. You really have to keep these bits nice and flat. Then use your hands for the curved parts that the sanding block just can't reach. By all means use the block for curved bits that you can reach. Be prepared for a few blisters on your hands!

Sanding block with sandpaper attached:

sandingblock.jpg


OK, on with the show...

The next part was fun (seriously), though it took a long time. I had never really done any routing before, and since I didn't have any real tools to speak of, it was a bit of an old-school approach. Basically, what you do is work out what depth you need, then stick some masking tape that far from the end of a drill bit (the width of the drill bit is not really important, but something around 6 to 8 mm works well).

Drill down until you are about to hit the tape, remove the drill and drill again, then repeat until the area you want to route out of your guitar looks like a honeycomb. By the way, you don't need a drill press for this. A hand-held drill will do fine. Perhaps the following picture will explain it better:

chisel.jpg


After the drilling is done, carefully use a hammer and chisel to take out the rest of the wood. It's a long, slow process, but gives good results if you're patient.

You can also see in the photo that the neck joint has been routed out, but I used a slightly different technique for this, since it had to be very accurate. I'll explain in more detail next time, so stay tuned.

Anyway, I promised I would mention the neck joint next, so here it is.

This was the bit I had been most worried about - messing up the neck joint and ending up with an unplayable guitar. Of course you can always fix mistakes, but it's much better to do it right in the first place.

So here was the challenge. I had hardly any tools and had to rout out the joint. I could do it the same way as the rest of the routing, but that would leave me with a pretty uneven surface. It really had to be dead on.

So I did it in two stages. First I did the same as the rest of the routing, then I finished it off with a small straight routing bit attached to the drill. The drill was attached to a drill stand (drill press) that I managed to borrow, and I set the limiter so that it would stop at just the right height for the surface of the neck joint.

There was a bit of a problem though. I only have two hands. The drill stand's lever was spring loaded, so I had to keep one hand on that, leaving just one to somehow move the guitar around. In the end I had to hold the lever down with my right hand, then use my right elbow and my left hand to move the guitar in and out. The guitar was resting on a shiny magazine so that it could be moved around with little effort.

I realise this technique sounds totally ridiculous, but given the tools I had, it was the best I could do. And in fact the end result was completely acceptable.

neckjoint.jpg
 
yeah... I've been readin'... seein' you say it's gonna be easy to build an electric guitar...
and I'm comin'from starin'up at Strats hangin'up there in the late sixties... wanting one like Jimi's...
dropping out of high school for a job and ordering a Marshall from England... with effects...
remembering how I agonized about being left-handed and seeing and listening to what Jimi's doing...
catching a backstage lesson about it from George Benson...
getting into building my own lefty bodies... and inventing things...
but I'm getting into it here... a little... thinking now a rich kid can build a guitar before he can play...

and then I see the cutting the kitchen table comment... and I'm thinking this guys just like me...
when I used a hacksaw to deepen the scallop for upper fret access, before I knew barre chords...

Please... plan on getting an original Fender Stratocaster tremolo unit...
and installing electronics with the same specs...
There's no use building a Strat if it's not going to take you all the way.

as always, John Watt
 
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John Watt posted in my thread. My life is now complete! :)

John, you may be a little disappointed by my tremolo choice. I mean it's no Floyd Rose, but it's not original Fender either. I hope you enjoy the build regardless. The dining table comment is just the beginning of the fun.

More very soon.
 
Man, you know I was going to give you a name check in the first post, then I had to remind myself that this isn't HC and I don't think you've posted any of your builds here (or have you?) Anyway, both you and 73Custom/GuitarNoobie have been really great inspiration since I signed up at HC (even though I built this guitar before then).

Edit: I think the wood cost me about 4000pts, but it was a long time ago and in Spain, so probably doesn't have much relevance. I think it worked out at about US$30 at the time though.



Thanks!
I'm so glad to hear someone else knows what it's like to work with northern ash. I mean, it's not as bad as working with, say, ebony, but it's still hard work. As for your V plans, the sound is bright, but not too much. You could definitely get the tone you wanted with the right pickups I'm sure.



Hey man. :Wave:

Thank you very much for that!

I think it is really cool that you don't have a bunch of tools, I don't either, and it is what makes it the most rewarding to me. Once I have more money to spend I will add some more tools, but I use whatever I can get my hands on to get the job done. I am going to have to check out one of those rasps!
 
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I've got a pretty good tool collection now, there are tasks that now take me 10-15 minutes that use to take me all day.
But when I started doing this 10 yrs ago, it was just as you are describing here...figguring out how to do what needs to be done with what you"ve got.
Good work can be done with minimal equipment, just gotta stay focused & employ some patience...hang in there, bro, determination is the key ingredient.
 
Thank you very much for that!

I think it is really cool that you don't have a bunch of tools, I don't either, and it is what makes it the most rewarding to me. Once I have more money to spend I will add some more tools, but I use whatever I can get my hands on to get the job done. I am going to have to check out one of those rasps!

Yeah, those rasps are great, man.

Awesome. Keep posting pics as the guitar progresses

Thanks! Will do.

I've got a pretty good tool collection now, there are tasks that now take me 10-15 minutes that use to take me all day.
But when I started doing this 10 yrs ago, it was just as you are describing here...figguring out how to do what needs to be done with what you"ve got.
Good work can be done with minimal equipment, just gotta stay focused & employ some patience...hang in there, bro, determination is the key ingredient.

Hey meandi, thanks for posting. I've been religiously following your Les Paul restoration. Have learnt loads from it.
 
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DIY Stratocaster Build - hand tools only pt 3

I decided to try some fancy stuff with the electrics. I’ve always enjoyed messing about with electronics, so was a lot more confident with this part than I had been with the woodworking.

So here’s the rundown on a typical Strat:

Three single-coil pickups
One 3- or 5-position selector switch
One volume control
Two tone controls

And here’s what I wanted to achieve with my Strat

Two single coil pickups (preferably Fender ones)
One humbucking pickup that would fit into the same space as a single-coil pickup (settled on a Seymour Duncan little '59)
Three toggle switches (one for each pickup)
One volume control
One coil tap push-pull switch incorporated into volume control
One tone control (for all pickups)
One middle-pickup phase reversal push-pull switch incorporated into tone control
One boost control
One boost on/off push-pull switch incorporated into boost control

The boost circuit would be based on a Vox Treble Booster and would be built by yours truly (me).

Anyway, here's what I came up with (viewed from below)...

schematicb.png


(actually I could only get 500k pots, so that diagram's a bit inaccurate)

Remember that this is based around two single coils and a humbucker and that all three pots incorporate push/pull switches.

The three toggle switches allow you to use any or all of the pickups at the same time, and even switch them all off, so it has a sort of muting function too.

The booster is based on a Vox Treble Booster and the battery negative wire is connected to the middle ring of the output jack so that it only ever completes the circuit when the lead is plugged in (to be able to do this, the jack socket must be stereo, giving you that extra middle ring, although the actual output signal will, of course, be mono). That way you don't need to worry about storing your guitar and leaving the booster turned on. Also note that this means the battery is ALWAYS being used when the lead is plugged in, even when the booster is not switched on. The reason for this is that otherwise you would hear a loud popping noise when you switched the booster on.

That looks really clean (the pocket), I really dig the custom schematics!

Thanks, man. The electronics was the only thing I actually felt comfortable with.


Anyway, in the words of Zapp Brannigan, "without further adieu..."

It would have been really easy (and pretty cheap) to just buy a standard Stratocaster scratchplate (pickguard), but I wanted to make my own.
You could buy a blank rectangle of scratchplate material at your guitar shop (or mail order one from somewhere like http://www.stewmac.com), but I went for the absolute cheapest option and used a piece of plastic I found in the street one night.

Here it is:

plastic1.jpg


And this is my scratchplate plan:

scratchplateplan.jpg


I used the same technique as I did with the body of the guitar, which was to tape the plan onto the plastic, then cut around it. Again, I would recommend that you do this a different way. Print it onto card, then draw an outline around this onto the piece of plastic itself.

Anyway, the cutting was pretty easy compared to the wood. A hacksaw for a rough outline, followed by filing and sandpaper. Oh yeah, and the sign was cleaned up by sanding the "Associated Weavers" decal off. The small screw holes were drilled (and finished off with a tapered countersunk drill bit). The pickup holes were a bit of a pain to shape, but i found that sandpaper taped around a toothbrush handle worked surprisingly well after drilling some initial pilot holes and filing roughly into shape.

Here's a bad picture of the scratchplate, pre-pickup-holes:

scratchplate.jpg


And here's a not-much-better one of the finished scratchplate.

scratchplate.jpg


OK, so the neck had arrived ages ago (yeah, I would've loved to make one, but with the tools and experience I had at this stage, it was just too much of a risk), as had all the other parts except for a couple of the pickups, so I decided to put the whole thing together to make sure everything fitted, before committing to the final finish.

At this stage I had decided to make this a hardtail strat, but this later changed and I did route it for a trem before I finished everything.

Anyway, here it is all fitted together.

frontvs.jpg
 
OK, on with the show...

chisel.jpg

Heck, if you weren't already finished with this project, I'd send you over one of my spare forstner bits.....that's a lot of little holes!


Looks like you have a nice steady chisel hand judging by those clean pickup routes :thu:
 
Heck, if you weren't already finished with this project, I'd send you over one of my spare forstner bits.....that's a lot of little holes!

Ha, thanks for the offer. Drilling the holes was the easy part. The long, slow and blister-inducing part was the chiseling.

Looks like you have a nice steady chisel hand judging by those clean pickup routes :thu:

Thanks again. :thu:
 
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