Yeah, that's what drew me to the Charvel... it's got many of the hot rod features I would have done or wanted. Lumilay side dots, locking tuners, graphtech nut, low friction volume knob, no load tone knob, contoured heel, and stainless frets on a roasted maple neck. All yummy.
I hate thin necks, but adapted to this Charvel because it plays so nice and slinky. I suppose the main difference is I play this one with my thumb behind the neck more than wrapping, but part of that is due to the 24 frets and where I position the length of the strap for the body to balance. For me, it's more important for the right arm to hang comfortably with the edge of the palm resting on the bridge, just behind my mute point. SG's I feel like both hands are "out in front" more or my hands are too far left.... and some baritones and small body instruments I feel like the bridge on my right hip instead of in my right front pocket.
It's for those reasons (and I didn't find any other sub $900 instruments with HALF as many features) that I still have it.