Deep Eddy
Argle Bargle or Foofaraw?
I've been working on learning the fretboard better and playing solos over the changes (using more chord tones) and generally trying to be more melodic. One thing I've noticed about my own playing is that I tend to stay with certain fingering patterns and phrasing. I'll give myself a break since theses are practice exercises, and I'm still learning this stuff, but it's kinda bland.
Then I heard Dirty Laundry by Don Henley on the radio last week, and the first solo by Joe Walsh got me thinking about how he uses that that weird, "angular" phrase in the beginning (and again in the middle) of this conventional song/solo. A few other examples are Quine's solos in Girlfriend by Matthew Sweet, Andy Summers' solo in Driven to Tears by The Police and Doug Pettibone's solo in Righteously by Lucinda Williams.
So here's the question: does anyone have suggestions for how to develop the physical ability, and an ear, for playing "unconventional" phrases (not sure what the correct term is) in solos? This is probably a long-term project, but I'd like to break out of the "same old, same old" playing.
Then I heard Dirty Laundry by Don Henley on the radio last week, and the first solo by Joe Walsh got me thinking about how he uses that that weird, "angular" phrase in the beginning (and again in the middle) of this conventional song/solo. A few other examples are Quine's solos in Girlfriend by Matthew Sweet, Andy Summers' solo in Driven to Tears by The Police and Doug Pettibone's solo in Righteously by Lucinda Williams.
So here's the question: does anyone have suggestions for how to develop the physical ability, and an ear, for playing "unconventional" phrases (not sure what the correct term is) in solos? This is probably a long-term project, but I'd like to break out of the "same old, same old" playing.