https://www.sweetwater.com/store/de...5tZHYmcw8FdD6GO2AUdZH3fk7KXLGgsRoC_VUQAvD_BwE
https://www.sweetwater.com/store/detail/6505PlusM212
It's not as much of a combo as it is a combination.
Don't let the fact that is an EVH product fool you into thinking that it does only EVH tones or just metal.
The green channel is sparkly clean, if you set it that way (and that's usually everybody's mistake).
The blue channel has plenty of classic rock crunch up 'til 10 o'clock on the gain. Honestly, even for EVH, it doesn't have to go past that. Most people dime it and that's just wrong.
The red channel is pure fire.
There's a resonance control on the back. For more classic tones, keep this below noon. For more modern stuff, turn it up to taste. The presence also seems to go beyond your normal presence, where dimed on a Marshall is closer to 3 o'clock.
The thing that impressed me when I tried this exact combination was how dynamic it was. If I dug in moderately (not even beating the strings) on the blue channel it was saturated and singing. If I picked lightly it was barely crunchy. Gentle fingerstyle was clean. However, it didn't lose appreciable volume when doing so. It was really responsive to the guitar's volume control.
I do a lot of styles from bluesy stuff to classic rock to metal and this would cover it all. I could use this in my '80s-influenced synth rock band. I could use this for my Danzig project. I could get some jazzy sounds out of the clean channel if I wanted. Even as an EVH freak I was surprised by the versatility of this setup.
