I have a Memory Woman, just my orientation.
So did I, she remembers every stupid thing I've ever done or said to her to win every argument we're ever going to have.
I have absolutely no idea what you are talking about. I think I just had an aneurism.10 minute review:
I think this thing gets a bad rep on TGP because it's a Memory BOY and not a Memory MAN. The basic difference between them is that the MM uses chips that are as close to the old one as possible, and the MB uses a new chip. People get all bent out of shape about that stuff.
The bad word on the Memory Boy has always been that it has murky repeats. But after hearing it in person and comparing it to my Jacques Prisoner and Catalinbread Echorec, that's how those pedals sound anyway. So whatever. The Prisoner is actually murkier than the EHX. The Echorec has a tone knob, so it can be whatever you want.
The tap divide settings are great. And it does the chase thing that the Way Huge Supa Puss does, with an extra mode. I'll likely never use the EXP functions. The modulation is beautiful and the square wave mode is just wild.
it is a big pedal. I'll have to move some shit around .I may actually get to keep it and the Echorec on the board if I kick the Midi Mouse off.
Now to start putting things into the effects loop, and make wild oscillations.
I have absolutely no idea what you are talking about. I think I just had an aneurism.
How do you think finding the holy trail of delay pedals is going to affect your future GAS issues?
That is a lot of buttons and knobs....
It's very intuitive. There's nothing here that doesn't make sense. I'm sure, being the intelligent person you are, that you'd do just fine with it.
The bad word on the Memory Boy has always been that it has murky repeats. But after hearing it in person and comparing it to my Jacques Prisoner and Catalinbread Echorec, that's how those pedals sound anyway. So whatever. The Prisoner is actually murkier than the EHX. The Echorec has a tone knob, so it can be whatever you want.
I could figure it out but I prefer simplicity as I like to adjust on the fly. Same goes for amps, the simpler, the better for me.
Murky repeats are the distinguishing tone feature of analog delays, the way they break down into a lovely sludge. Otherwise, just get a digital delay. But yeah, it's gotta be the right kind of murky.
to be honest, thats how I prefer my repeats on stage. I guess I'm not TGP material.Murky repeats are the distinguishing tone feature of analog delays, the way they break down into a lovely sludge. Otherwise, just get a digital delay. But yeah, it's gotta be the right kind of murky.