McDonalds asks indie band to play SXSW for free. Their response?

Kerouac

weird musical dildo
You might not know Ex Cops (yet). The pop punk duo made up of Amalie Bruun and Brian Harding is still coming into the limelight following their second LP, Daggers.

Still, they’re getting plenty of attention. They’ve worked with Billy Corgan and Ariel Pink, and they’re signed to a well-respected independent label. They’ve got a great following and they’ve got a host of SXSW shows lined up this week.

All in all, they’re a pretty great band, which is the main reason McDonalds asked them to play their SXSW Showcase in Austin, Texas this year. In case you’ve never heard of SXSW, it’s one of the largest national events in the country, and certainly a contender for the biggest event in music. It’s kind of important for #brands trying to be #hip.

But despite the fact that McDonalds currently has a net worth of roughly $97 billion dollars (which is more than the national net worth of the United States of America), they “didn’t have a budget” for which to pay the artists playing their showcase.

Yep. McDonalds, one of the largest corporations in America, couldn’t find a few bucks to pay a band working for them.

We could try to paraphrase the band’s comments, but we wouldn’t do it justice.


McDonald's asked us to play SXSW. This is Brian's open letter about it.

This week our band was asked to play the McDonald’s Showcase at the annual South by Southwest, also known to music insiders as “SXSW.”

Their selling point was that this was “a great opportunity for additional exposure,” and that “McDonald’s will have their global digital team on site to meet with the bands, help with cross promotion, etc”

I don’t, and doubt that they know what this means either.

Getting past that rhetoric, at the very least a big corporation like McDonald’s can at least pay their talent a little. Right?

“There isn’t a budget for an artist fee (unfortunately)”

As of 2013, McDonalds is valued at 90.3 billion dollars.

I won’t get into the internet semantics of things you’ve probably seen on your Facebook feed; like that thing where it takes a McDonald’s worker 4 months to earn what the CEO makes in an hour, or their GMO love affair, and I will certainly spare you the bounty of photos showing how they treat their animals.

In lieu of being paid like a real artist, or anyone who is employed to do a service, McDonald’s assures us that we will “be featured on screens throughout the event, as well as POSSIBLY mentioned on McDonald’s social media accounts like Facebook (57MM likes!)”

We recently headlined a show at the Brooklyn venue Baby’s Alright. They are by no means a DIY venue, but they are still an independent small business. The owners are people our age who used to book shows at Pianos and busted their asses to open a venue of their own in Brooklyn.

While I haven’t asked Billy or Zach how much they make annually (that would be weird) I’m going to guess they’re not looking at brownstones in Prospect Park at the moment. Yet when we played, we were paid very very fairly, were provided with drink tickets, and each band member fed a full entree from their menu (try the Brussels sprouts)

I will also go ahead and save time for any schill / troll rebuttals; “Are the other showcases paying you? No one is holding a gun to your head!” This is true. It is our choice (pretty much) to fly to Austin, play shows without soundcheck, and get paid nothing to a little. But hear this loud and clear, we LOVE making music, it is what we do, and despite some of its very apparent flaws, SXSW still provides a decent venue to be heard by some people who are really there to hear new music and not just do blow with dudes who wear square toe loafers.

It is a horrifying and gross reality when one sees the true nature of corporations and their pathetic attempts to achieve relevance with millennials. Doritos received a lot of flack for their stage a couple years ago, but i’m going to assume they paid Lady Gaga.

Oh, I almost forgot; “McDonald’s will offer free food to all audience members”

I don’t doubt that tons of bands will kowtow to this lame, lame attempt at a rock show. And I’m aware that to achieve any exposure is a Herculean task in 2015, but the Boethian Wheel is a real thing, and this will continue to exist if we, as artists, keep saying yes in exchange for a taste of success. Even if smells like a shitty Fish filet.
 
It's how it is. Constant nickel and diming. I dealt with this from million dollar guitar gear companies who didn't want to shell out a few hundred bucks a month to advertise on my wonderful guitar podcast. That 97 Mcbillion is not sitting in a bank somewhere. There's massive overhead and you don't get to be wealthy by giving all your money away. I guess.

Good on that band for not caving in. Now all the other bands who caved in to their demands can feel like sellouts.
 
ONE TIME I WENT TO MCDONALD'S AND GOT A BIC MAC
IT TASTED LIKE TWO ALL BEEF PATTIES SPECIAL SAUCE LETTUCE CHEESE PICKLES ONIONS AND A GENEROUS DOLLOP OF WARM PONY SHIT
I FORCED IT DOWN MY GULLET BECAUE I HAD NOTHING ELSE TO EAT
MOMENTS LATER MY REGRETS BUBBLED TO THE SURFACE ALONG WITH BIC MAC
 
That's nothing. You should see the response that guy sent when I asked if he would take $250 for the MIM Tele he had on craigslist.
 
Post it up!

I was kidding. :)

My take on this may not be real popular. I just think a simple, "No, thank you," would have sufficed. The open letter seems like grandstanding.

For this type of band, a snarky anti-corporate public response is just a different form of marketing. The publicity-to-effort ratio for shaming McDonald's is a lot more favorable than playing a show.
 
So rather than counter-offer McDonalds, he gets butt hurt and burns (with a flame thrower) a business relationship with one of the biggest companies (albiet hated) on the planet? I would have counter-offered first.
 
So rather than counter-offer McDonalds, he gets butt hurt and burns (with a flame thrower) a business relationship with one of the biggest companies (albiet hated) on the planet? I would have counter-offered first.

I'm assuming they did, not that it would have made a difference.
 
I was kidding. :)

My take on this may not be real popular. I just think a simple, "No, thank you," would have sufficed. The open letter seems like grandstanding.

For this type of band, a snarky anti-corporate public response is just a different form of marketing. The publicity-to-effort ratio for shaming McDonald's is a lot more favorable than playing a show.

The band is a business too and I'm sure they could use all the free publicity they could get. Which is the same thing McDonalds is doing by having bands perform for free under their banner.
 
It truly is amazing that MacD's would stoop to that level. Why even sponsor a stage if you are not going to pay the performers? Makes no sense at all.
 
Back
Top