Along with my literate approach, enjoying myself, I supplied irrefutable, quantitative data.
You might not have seen it that way, because I'm expecting you to try for yourself.
I'm hoping you'll find an active electronic, magnetic field, by trying a drill or vacuum cleaner, as described.
You'll never see it, unless you can form a nucleac cloud of magnetic material that will coalesce in the air, revealing a magnetic pattern.
I've never had that opportunity, just spending a lot of time in front of a 100 watt Marshall stack, mostly by myself.
And as easy to hear as the drill and vacuum are, you are degrading your electronics by doing that.
I'd think of the electricity leaving your pickups as water down a drain.
If it's flowing all together, not a combination of soapy, greasy, or hair product water, like having too many electronic values,
then it's obvious the water will flow most efficiently, providing a focus that can be aimed efficiently.
Think of the water circling your drain, now with your finger in it, creating a sub-vortex that is part of the main flow.
Who cares about that, or how different art works, icing for cakes, to animated screen savers, can look good,
because different materials repel each other and make their own patterns.
Electricity is more atmospheric than that. Shuffling your feet on a rug while you're playing to create static electricity,
is as much of a variable source of electricity as different 9-volt batteries.
Musicians say if you can't sing it you can't play it.
Scientists say if you can't describe it, you can't build it.
John Watt, inventor, says people don't care for something they've never seen or heard of before, or tried.
Peeker! If you want to come over, I'll let you look.
If you promise to behave, and not leave lipstick stains, I'll let you sit with my guitar upside-down to try it.
Only maybe by the time you're done it won't feel, uh, upside-down.
Mr. Mark Wein! Yes, I would question the usefulness of my semi-solid-body references.
All along, the guitarists I consulted and talked to said it would be a low percentile invention,
something only 5 to 12% of electric guitarists could understand, hear or feel the difference.
I kept boosting everything in balance as best I could, having a real good time,
getting a lot more than I thought, and invented "accelerated acoustics".
That's so pickup focussed, nothing else matters to me anymore,
getting acoustics through the pickups trumps any new sound effect,
because it makes the whole guitar more playable, plugged in or not.
The unexpected, greater neck feel is the best bonus.
I typed inventor. But at my age and experience, having something new and exciting is a real miracle.
Those acoustics were out there already, waiting, and I certainly didn't create that world, and universe.