You have to judge each one on it's own merits.... I've played some that were really really nice... and others where the action was so high I can't imagine using it for anything but slide.![]()
You have to judge each one on it's own merits.... I've played some that were really really nice... and others where the action was so high I can't imagine using it for anything but slide.![]()
Kerouac has one....he likes it IIRC.
Yet another friend of Jack...
Yup... I have one in Cognac Burst. Love it.![]()
"Three bars of 'A Day In The Life' still sustain me, rejuvenate me, inflame my senses and sensibilities. They are the best songwriters since Gershwin."
-Leonard Bernstein
"They say that I have no hits and that I'm difficult to work with... and they say that like it's a bad thing." - Tom Waits
FS: Apogee Duet (ver. 1) w/ duet:BREAKOUT box. All boxes, manuals, and cables included. $350 + shipping. Pics are here.
I've had GAS for one lately, in no small part because I've been watching a lot of videos of David Rawlings lately, because of a thread that was posted at GJ last week, and his 30s Epiphone is the same style of archtop as the 5th Avenue. Not very logical, I know. But I'm definitely going to have to try a few more out.
I have the black one. Most people find them to be a love it or hate it type guitar. I go back and forth.
On the plus side, it's my best player by a mile. I had the action so sick low at one point it was like a Jackson. Have since raised it some and I'll tell you why.
The sound that comes out of any archtop is not particularly subtle. They were made to bang out chords in a big band and cut through. You gotta play em hard and use some heavy string to really get em going. When you do, they will bark out a lovely punchy fundamental sound. There's not much going on in the way of thumpy bass or overtones though. I like the sound, but if you're only going to have one acoustic, it's not the most versatile guitar on the planet. It won't shimmer like a Taylor or thump like a Martin dread. It WILL drown out a dread if it comes to a strumming contest, though. They can get absolutely LOUD when you get after em.
So, it's loud and a little rude. Very percussive. If you're a real archtop snob, you'll look down your nose at the laminate top, but that also makes it damn durable and pretty insensitive to temp and humidity changes.
If you like the sound, it's great. If you don't you'll hate it.
Godin necks seem to be the same way. The 5th has a very skinny neck compared to the old archtops with tree trunk necks. I was on the fence for a while, but I've come to like it a lot. The satin finish is really slick and the rolled edges are comfortable.
When it comes to archtops, only you can judge if you like it or not. Don't judge, however, based on a couple of minutes of light strumming. Bang the hell out of it to see what it can do. I damn near nead earplugs when I play mine. I got it set up with 13s now and that SOB is LOUD.
EG
I love the way he thinks and the way he purposely swerves and sways towards resolution. That New Yorker article touches on that -- the woman in the crowd who's clearly seen him many times watching the solo and saying, "Of course he ends like that." Brilliant melodic and harmonic sense as well.
Are those more of an electric archtop, or can they be strung as a steel-stringed acoustic? I'm looking for a nice acoustic to replace the cheap one I've had forever, and at one point these piqued my interest.
Is the Kingpin just the regular 5th ave. with a P90 stuck in it?
I am generally anti-cutaway. The standard Kingpin looks like just what I need.
The Kingpin is NOT an acoustic guitar. You're gonna string it with electric guitar strings and with all the hardware mounted to the top, it's pretty dead acoustically. They are offering a new jazz model with a suspended humbucker that might come closer, as far as I know, the pickup is not meant to work with bronze strings.
Flamencology: Quiet? Mine is nowhere near quiet. In fact, it's way louder than my kid's 000 and it'll hang with my nephew's Martin dread easy.
EG
"Three bars of 'A Day In The Life' still sustain me, rejuvenate me, inflame my senses and sensibilities. They are the best songwriters since Gershwin."
-Leonard Bernstein
"They say that I have no hits and that I'm difficult to work with... and they say that like it's a bad thing." - Tom Waits
FS: Apogee Duet (ver. 1) w/ duet:BREAKOUT box. All boxes, manuals, and cables included. $350 + shipping. Pics are here.
Fascinating.
EG
"Three bars of 'A Day In The Life' still sustain me, rejuvenate me, inflame my senses and sensibilities. They are the best songwriters since Gershwin."
-Leonard Bernstein
"They say that I have no hits and that I'm difficult to work with... and they say that like it's a bad thing." - Tom Waits
FS: Apogee Duet (ver. 1) w/ duet:BREAKOUT box. All boxes, manuals, and cables included. $350 + shipping. Pics are here.
Does anybody have any clips of theirs being played acoustically? The Youtube clips mostly seem to be recorded with awful webcam mics.
There's one on the Godin website: http://www.godinguitars.com/godin5thavenuep.htm
Kerouac might be able to oblige you.![]()
I don't have many clips of it purely acoustic, just these two and the second one it sounds WAY bright:
http://andymclain.com/logic9clips/mics/MA201Godin.mp3
http://andymclain.com/mp3s/Things%20...uld%20Know.mp3
"Three bars of 'A Day In The Life' still sustain me, rejuvenate me, inflame my senses and sensibilities. They are the best songwriters since Gershwin."
-Leonard Bernstein
"They say that I have no hits and that I'm difficult to work with... and they say that like it's a bad thing." - Tom Waits
FS: Apogee Duet (ver. 1) w/ duet:BREAKOUT box. All boxes, manuals, and cables included. $350 + shipping. Pics are here.
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