Flamencology
You don't deserve koa.
How so? I have never once had a conversation with anybody regarding a classic work of literature, aside from my wife while we were visiting the John Steinbeck museum. I still haven't seen a compelling argument for anybody except lit majors to read this stuff for any reason other than as required reading in high school or college. I mean, aside from the aforementioned dull social gatherings.
It's a challenging issue, these days, I think, especially at the level of a high-school curriculum.
Literacy rates can vary widely within a classroom and, in some instances, it might well be best to go with whichever approach it is that gets students reading, period. For more advanced classrooms, the sky might be the limit.
But I think that we need to get past the idea that literature, music, art, etc., is merely for leisure, pleasure, entertainment, or what have you.
Better writers than me have articulated this from different angles.
Plato defined tragedy's purpose as the "proper purgation of emotion". Horace argued that the purpose of literature is to "delight and to instruct".
Kafka went with this:
Calvino wrote this classic short essay, which is well worth reading:
http://www.nybooks.com/articles/archives/1986/oct/09/why-read-the-classics/
Roger Ebert on film:
"We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us."
All of that's valid.
And then there's Peter Brook:
If good theatre depends on a good audience, then every audience has the theatre it deserves. Yet it must be very hard for spectators to be told of an audience's responsibility. How can this be faced in practice? It would be a sad day if people went to the theatre out of duty. Once within a theatre an audience cannot whip itself into being 'better' than it is. In a sense there is nothing a spectator can actually do. And yet there is a contradiction here that cannot be ignored, for everything depends on him.
You know. If all else, you should regard it as your civic duty to engage with challenging art.
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