Post your pedalboards!

[Mark Wein]

I always love seeing what people play through on other forums so I thought I'd get the ball rolling here!



http://app.quickblogcast.com/images/88061-76943/pboard1.png



This is my pedal board. I get teased (or worse) about this monstrosity regularly. Let me explain why I have such a large assortment of pedals...

I like vintage amplifiers that are not "Channel Switching". This means that I am typically using a cleaner or undistorted sound as my "base" tone. I get all of my overdrive and distortion sounds from pedals, instead of having an amplifier with a built in distortion channel as well as a clean sound. Channel switching amps usually have a foot switch that allows you to go from clean to distorted sounds while you are playing. To my ears, the clean sounds on most of those amplifiers is usually kind of thin or sterile. Everyone has a preference, and mine is to not play through amps with multiple channels.

At the moment, my favorite amp is a 1971 Fender Deluxe Reverb that has been modified with a Celestion 25 watt Greenback speaker. I have several other amps, but this one just starts out with the best clean tone for me. I use the pedals on my pedal board to get all of the sounds that I need to get through the Blues, Rock or Top 40 gigs that I typically play. Even though the amp is only 22 wattts, with the Celestion speaker it is loud enough to play just about any gig (and I can get some pretty huge sounds from this little amp!)

Here is my signal path from the guitar:

1. Ernie Ball Volume Pedal - I mainly use this to turn the volume off so that I can tune my guitar on stage. The pedal has a jack that goes to the tuner, and works even when the volume is off. There is nothing worse than listening to a guitarist (or bassist) try to tune on stage at full volume. Occasionally I'll use the pedal to "swell" chords, but tuning and turning the volume off is it primary duty. One thing to remember is that many of your pedals are sensitive to the amount of signal (or volume) coming in to them. If you run a volume pedal first in your signal chain and run it halfway, you won't have very much signal to push or distort the pedals. Smarter people than me usually run them last on their pedal board so that they don't run into that problem, but this seems to work for me.

2. Vox Clyde McCoy Wah Pedal - I am not a big wah pedal user, but it is pretty much a requirement for any cover band gig. I like having this pedal before the distortion pedals so that you are distorting the "wah" sound and not "wahing" the distortion sound. This pedal is due for replacement because it is wearing out and I will probably try some other pedals. I like how "clear" the pedal sounds to me, but I don't care for how the foot movement works. It seems like most of the effect is at the top of the pedal movement and it is hard to play "Funky Disco" wah guitar in time and sing...I'd rather have something that is more consistent as you move the foot pedal up and down...

3. Barber Direct Drive SS - This is what I call a "Desert Island" pedal. If I could only take one pedal to play gigs on a deserted island, this would be it. I can get GREAT high gain distortion sounds out of it that sound more like a high-gain amplifier and less like the tone is coming from out of a pedal. If I needed to, I can turn the gain down and get a passable blues tone. If you can only buy one pedal, this is my recommendation. Handmade, super sturdy, True Bypass so it doesn't color your sound when it is turned off....

4. Xotic BB Preamp - Sometimes I use this as a less smooth sounding version of the Direct Drive pedal

5. Keeley Compressor - The best pedal compressor I have heard on the market. I am not a huge compressor user, but when I do use it I hate to hear the compressor "pumping" the volume. This pedal is super smooth sounding. I have it after my high gain distortions in case I want to fake a 1980's compressed hard rock tone. It is before my lower gain overdrives so I can get more of a country lead tone if I need it.

6. Barber LTD - This has replaced my Ibanez Tube Screamer. After many years of trying modded Tube Screamers I realized that what I did not like was the mid-range honk sound. This pedal has a similar amount of gain (not very much) but it is a little more balanced...it has lows, highs AND mids! Great for blues and lightly overdriven rhythm guitar.

7. Xotic RC Booster - Another "Desert Island" pedal. I usually have this set with just a small amount of gain, a little extra bass and enough volume to serve as a "lead boost" This pedal is super transparent...if you set it just right and turn it off and on you can not hear the difference. You can set it to just boost your volume with no coloration of you tone, or you can add Bass, Treble or Gain. Sometimes, if I am playing a very low volume gig I can set the pedal to just make the amp sound like it being driven at a higher volume. Many times I will kick this pedal on on top of another pedal (usually the Direct Drive) to make the sound bigger and more "over the top"

8. Arion Stereo Chorus - This is an old one from the 1980's. I had always thought that Arion was one of those companies that made cheap, crummy sounding effects pedals. Then I started reading about how this pedal was the secret weapon of many studio musicians not only for its great fat sounding chorus, but if you turn the rate control up it will double as a Leslie rotating speaker simulator. I got mine for $29.00, but I think that the music store I bought it from had no idea that these pedals sometimes go for as much as $200.00 on Ebay (if they are original - Arion makes a new version that does not sound like this!). Xotic also makes a True Bypass version that I haven't heard yet, but sounds interesting.

9. Electro-Harmonix Small Stone USA Reissue - There aren't too many phaser pedals out there, and this just happens to be the one I like the most...

10. Boss DD-6 Digital Delay - Everyone needs a little delay, and when I bought it this pedal fit the bill. In the near future I would like to try the Line 6 DL-4 Delay Modeler...



I have seen smaller pedal boards with more pedals, but I like everything facing the right direction. Many of the more crowded pedal boards that I have seen try to cram pedals in so close that my big foot wouldn't be able to hit one pedal at a time!

A couple of things that are on my pedalboard that are not in my signal path:

Power supplies - I like the Godlyke Distributing Powerall....much quieter than the Boss Power supplies that I have used in the past - there are better options out there, but this works for me.

Power Strip - You would be surprised how often an extra outlet at the front of the stage can get you out of a jam!

Digital Clock - not that I "clock watch" on stage, but you have to know what time it is to know how many songs are left in a set.

[telecaster911]

Here it is...very basic. Mostly use the dirt pedals. ;D

http://i116.photobucket.com/albums/o18/telecaster911/100_0091.jpg


I use the trem on one or two tunes and the delay about once a month when I remember it's even there. I do use the Tone Press, primarily in the country band. We use generally a pretty quiet stage volume so it's on all the time. For the rock band, I rarely use the Tone Press, kind of depends.

The bad monkey is just a solo boost, to add a little hair.

Here's the rest of my setup. The Holland and the R-8 Lemonburst primarily. I switch it up between Strats and an Epi 56 with P90's though.

http://i116.photobucket.com/albums/o18/telecaster911/rigpic.jpg

The 2 amps next to mine are the steel players (Peavey,s). Covered in maroon ostrich skin :o

Nothing mic'd at this little place... But usually mic everything.

[hobo]

I always love seeing what people play through on other forums so I thought I'd get the ball rolling here!



http://app.quickblogcast.com/images/88061-76943/pboard1.png



This is my pedal board. I get teased (or worse) about this monstrosity regularly. Let me explain why I have such a large assortment of pedals...

I like vintage amplifiers that are not "Channel Switching". This means that I am typically using a cleaner or undistorted sound as my "base" tone. I get all of my overdrive and distortion sounds from pedals, instead of having an amplifier with a built in distortion channel as well as a clean sound. Channel switching amps usually have a foot switch that allows you to go from clean to distorted sounds while you are playing. To my ears, the clean sounds on most of those amplifiers is usually kind of thin or sterile. Everyone has a preference, and mine is to not play through amps with multiple channels.

At the moment, my favorite amp is a 1971 Fender Deluxe Reverb that has been modified with a Celestion 25 watt Greenback speaker. I have several other amps, but this one just starts out with the best clean tone for me. I use the pedals on my pedal board to get all of the sounds that I need to get through the Blues, Rock or Top 40 gigs that I typically play. Even though the amp is only 22 wattts, with the Celestion speaker it is loud enough to play just about any gig (and I can get some pretty huge sounds from this little amp!)

Here is my signal path from the guitar:

1. Ernie Ball Volume Pedal - I mainly use this to turn the volume off so that I can tune my guitar on stage. The pedal has a jack that goes to the tuner, and works even when the volume is off. There is nothing worse than listening to a guitarist (or bassist) try to tune on stage at full volume. Occasionally I'll use the pedal to "swell" chords, but tuning and turning the volume off is it primary duty. One thing to remember is that many of your pedals are sensitive to the amount of signal (or volume) coming in to them. If you run a volume pedal first in your signal chain and run it halfway, you won't have very much signal to push or distort the pedals. Smarter people than me usually run them last on their pedal board so that they don't run into that problem, but this seems to work for me.

2. Vox Clyde McCoy Wah Pedal - I am not a big wah pedal user, but it is pretty much a requirement for any cover band gig. I like having this pedal before the distortion pedals so that you are distorting the "wah" sound and not "wahing" the distortion sound. This pedal is due for replacement because it is wearing out and I will probably try some other pedals. I like how "clear" the pedal sounds to me, but I don't care for how the foot movement works. It seems like most of the effect is at the top of the pedal movement and it is hard to play "Funky Disco" wah guitar in time and sing...I'd rather have something that is more consistent as you move the foot pedal up and down...

3. Barber Direct Drive SS - This is what I call a "Desert Island" pedal. If I could only take one pedal to play gigs on a deserted island, this would be it. I can get GREAT high gain distortion sounds out of it that sound more like a high-gain amplifier and less like the tone is coming from out of a pedal. If I needed to, I can turn the gain down and get a passable blues tone. If you can only buy one pedal, this is my recommendation. Handmade, super sturdy, True Bypass so it doesn't color your sound when it is turned off....

4. Xotic BB Preamp - Sometimes I use this as a less smooth sounding version of the Direct Drive pedal

5. Keeley Compressor - The best pedal compressor I have heard on the market. I am not a huge compressor user, but when I do use it I hate to hear the compressor "pumping" the volume. This pedal is super smooth sounding. I have it after my high gain distortions in case I want to fake a 1980's compressed hard rock tone. It is before my lower gain overdrives so I can get more of a country lead tone if I need it.

6. Barber LTD - This has replaced my Ibanez Tube Screamer. After many years of trying modded Tube Screamers I realized that what I did not like was the mid-range honk sound. This pedal has a similar amount of gain (not very much) but it is a little more balanced...it has lows, highs AND mids! Great for blues and lightly overdriven rhythm guitar.

7. Xotic RC Booster - Another "Desert Island" pedal. I usually have this set with just a small amount of gain, a little extra bass and enough volume to serve as a "lead boost" This pedal is super transparent...if you set it just right and turn it off and on you can not hear the difference. You can set it to just boost your volume with no coloration of you tone, or you can add Bass, Treble or Gain. Sometimes, if I am playing a very low volume gig I can set the pedal to just make the amp sound like it being driven at a higher volume. Many times I will kick this pedal on on top of another pedal (usually the Direct Drive) to make the sound bigger and more "over the top"

8. Arion Stereo Chorus - This is an old one from the 1980's. I had always thought that Arion was one of those companies that made cheap, crummy sounding effects pedals. Then I started reading about how this pedal was the secret weapon of many studio musicians not only for its great fat sounding chorus, but if you turn the rate control up it will double as a Leslie rotating speaker simulator. I got mine for $29.00, but I think that the music store I bought it from had no idea that these pedals sometimes go for as much as $200.00 on Ebay (if they are original - Arion makes a new version that does not sound like this!). Xotic also makes a True Bypass version that I haven't heard yet, but sounds interesting.

9. Electro-Harmonix Small Stone USA Reissue - There aren't too many phaser pedals out there, and this just happens to be the one I like the most...

10. Boss DD-6 Digital Delay - Everyone needs a little delay, and when I bought it this pedal fit the bill. In the near future I would like to try the Line 6 DL-4 Delay Modeler...



I have seen smaller pedal boards with more pedals, but I like everything facing the right direction. Many of the more crowded pedal boards that I have seen try to cram pedals in so close that my big foot wouldn't be able to hit one pedal at a time!

A couple of things that are on my pedalboard that are not in my signal path:

Power supplies - I like the Godlyke Distributing Powerall....much quieter than the Boss Power supplies that I have used in the past - there are better options out there, but this works for me.

Power Strip - You would be surprised how often an extra outlet at the front of the stage can get you out of a jam!

Digital Clock - not that I "clock watch" on stage, but you have to know what time it is to know how many songs are left in a set.





All I have to say is "Wow". I hope to hear you post some of your music using them pedals. Looks like you won the calif. lottery :)

[Mark Wein]

All I have to say is "Wow". I hope to hear you post some of your music using them pedals. Looks like you won the calif. lottery :)


;D

That's actually what I'm playing through on all of the various video clips I post...its the culmination of many years of buying a pedal at a time and trying to find the right combination of effects to make me happy...I'd be bummed it I had to replace it all at once...

[Jake S.]

I just noticed that my Direct Drive is black and yours is blue...They aren't different models are they?

[Mark Wein]

I just noticed that my Direct Drive is black and yours is blue...They aren't different models are they?


Yeah..mine is the "SS" version....the newer ones are supposed to incorporate the "SS" features, though...

[Prages]

My newly refurbished pedalboard:

http://www.thewindtunnel.com/GuitarPics/Pedalboard/PB2.jpg

Very simple setup. The buttons by themselves are the amp's channel selector and reverb. I run Guitar -> Wah -> Bad Monkey -> Amp ->FX Loop Send -> Digidelay -> MXR EQ -> FX Loop Return.

The Bad Monkey is usually not there, as I prefer my amp's OD Channel and the BM is kind of noisey (anybody else notice this, or is my BM just defective?).

[Mark Wein]

The Bad Monkey is usually not there, as I prefer my amp's OD Channel and the BM is kind of noisey (anybody else notice this, or is my BM just defective?).


I've never used the Bad Monkey but my experience (limited as it is in recent years) is that most Digitech distortion pedals end up being pretty noisy to start with....

[Prages]

I've never used the Bad Monkey but my experience (limited as it is in recent years) is that most Digitech distortion pedals end up being pretty noisy to start with....


I really don't know, as I've never been a big OD pedal user.

But this one not only hums (which may be in part because of the power supply...I don't know), but it's also microphonic, as in, if you tap on the metal casing, you can hear it through the amp. :o

[Mark Wein]

I've never used the Bad Monkey but my experience (limited as it is in recent years) is that most Digitech distortion pedals end up being pretty noisy to start with....


I really don't know, as I've never been a big OD pedal user.

But this one not only hums (which may be in part because of the power supply...I don't know), but it's also microphonic, as in, if you tap on the metal casing, you can hear it through the amp. :o


It sounds like the pedal is damaged or poorly constructed...

I like my OD pedals but I can be rough on them. The Barber stuff is pretty indestructible although I did have a student get one with a bad switch last week :-[

[sunvalleylaw]

Here is mine, minus my Boss RC20XL looper:http://i174.photobucket.com/albums/w92/sunvalleylaw/IMG_0012.jpg

[Mark Wein]

You guys love the "Bad Monkey" pedal, huh? I might have to try one now...

[Prages]

You guys love the "Bad Monkey" pedal, huh? I might have to try one now...


Obviously I don't love mine as much as I could. I actually does sound pretty good, other than the noise problem I'm having. Plus, it's like $40 new.

[Mark Wein]

You guys love the "Bad Monkey" pedal, huh? I might have to try one now...


Obviously I don't love mine as much as I could. I actually does sound pretty good, other than the noise problem I'm having. Plus, it's like $40 new.



Is it a distortion or more of an overdrive?

[Prages]

It's an OD. It's got a little more gain than a TS9, and a little more adjustability. I really think it sounds pretty good.

I think we used it for the OD tones with my Classic 30 on this song, but I can't remember for sure.

Take A Ride With Me (http://www.thewindtunnel.com/Songs/Take%20A%20Ride%20With%20Me.mp3)

The only thing I'm doing on this song is drums, one of the rhythm guitars, and backing vocals, but I'm pretty sure that the leads and the non-vibrato rhythm guitar were done with the BM on the clean channel of the C30.

I also did a cover of Daydream Believer using the BM in front of my old JCM 800 head, but I don't have that uploaded anymore. That was a heavier tone because I stuck the BM in front of the already overdriven Marshall. I'll try to remember to get it uploaded tomorrow.

[Mark Wein]

Cool...I'll have to check it out when I get to the store today...I'm in a "no-clips" zone at home for the time being with the babys schedule... :)

[Prages]

Here's a rocked up version of Daydream Believer with the Bad Monkey in front of an overdriven JCM 800.

Daydream Believer (http://www.thewindtunnel.com/Coverfest/DaydreamBeliever2%20(master).mp3)

This was one of the last things I recorded with the drum machine before I started doing live drums. It feels a little stiff, I screwed up the autotune settings on the vocals, and I overcompressed the master, but I think the guitars sound good.

[telecaster911]

I've never used the Bad Monkey but my experience (limited as it is in recent years) is that most Digitech distortion pedals end up being pretty noisy to start with....


I really don't know, as I've never been a big OD pedal user.

But this one not only hums (which may be in part because of the power supply...I don't know), but it's also microphonic, as in, if you tap on the metal casing, you can hear it through the amp. :o


Hey dude, I've got 2 and they are both dead quiet. And the one I keep at practice has the gain maxed out and still dead quiet (a little hiss but no hum). Plus, the switching is dead quiet and instantaneous. Running them from a one spot. I use them as a solo boost.

[Prages]

I've never used the Bad Monkey but my experience (limited as it is in recent years) is that most Digitech distortion pedals end up being pretty noisy to start with....


I really don't know, as I've never been a big OD pedal user.

But this one not only hums (which may be in part because of the power supply...I don't know), but it's also microphonic, as in, if you tap on the metal casing, you can hear it through the amp. :o


Hey dude, I've got 2 and they are both dead quiet. And the one I keep at practice has the gain maxed out and still dead quiet (a little hiss but no hum). Plus, the switching is dead quiet and instantaneous. Running them from a one spot. I use them as a solo boost.


Sounds like there's a bad cap or something in mine. Maybe I'll tear it apart sometime and see if I can figure anything out.

[Mark Wein]

Here's a rocked up version of Daydream Believer with the Bad Monkey in front of an overdriven JCM 800.

Daydream Believer (http://www.thewindtunnel.com/Coverfest/DaydreamBeliever2%20(master).mp3)

This was one of the last things I recorded with the drum machine before I started doing live drums. It feels a little stiff, I screwed up the autotune settings on the vocals, and I overcompressed the master, but I think the guitars sound good.


Actually that sounds great. Really nice and thick. Did you double the rhythm guitar tracks?I wouldn't have thought that was a JCM 800, either. Totally_jammin_out

[Prages]

I probably did double the guitar tracks. I almost always do for rhythm guitar.

If I remember correctly, that was before I got my attenuator, so the amp was nowhere near its sweet spot tone wise, but I did have the preamp cranked and ran the BM in front of that.

[Mark Wein]

I like it. I wouldn't have been able to guess that was the gear that you used and I probably would have thought much more expensive, along the lines of a Mesa or something...

[Prages]

After listening to the song again...

There are two rhythm guitar tracks...one panned hard left, the other hard right. Both are doing different things during the verses and are doubling each other in the choruses. So, if you listen to just one side of the recording, that's a single guitar part, not a doubled one.

Listening to it now kind of makes me miss the Marshall, but it was just so freakin' loud that I couldn't stand to play it. thwap

Oh well, I more than doubled my money on it, so I don't miss it that much. :D

[Mark Wein]

After listening to the song again...

There are two rhythm guitar tracks...one panned hard left, the other hard right. Both are doind different things during the verses and are doubling each other in the choruses. So, if you listen to just one side of the recording, that's a single guitar part, not a doubled one.

Listening to it now kind of makes me miss the Marshall, but it was just so freakin' loud that I couldn't stand to play it. thwap

Oh well, I more than doubled my money on it, so I don't miss it that much. :D


biggrin

I had a 25th anniversary (Silver) Marshal...what later became the Slash model that I bought in High School...I sold the head like an idiot in teh early 1990's to get a Mesa Boogie that I hated and I really miss it...but you're right...100 watt Marshal is a completely impractical amp these days...

[hobo]

Here's a rocked up version of Daydream Believer with the Bad Monkey in front of an overdriven JCM 800.

Daydream Believer (http://www.thewindtunnel.com/Coverfest/DaydreamBeliever2%20(master).mp3)

This was one of the last things I recorded with the drum machine before I started doing live drums. It feels a little stiff, I screwed up the autotune settings on the vocals, and I overcompressed the master, but I think the guitars sound good.


Nice tune there Prages rim

[Phil513]

Dude! That kicked all kinds of ass! That was awesome.

You have a great singing voice btw.

[warren0728]

excellent job prages....nice tone and nice vocals too! AOK

ww

[telecaster911]

OK, I did a little revamping since I'm not doing the country band anymore. Very basic dirt and delay board. I swapped out the twin tube classic for the metal muff. For what I'm doing now, the twin tube was a little loose in the bottom end. Running the amp overdriven some (kind of an old ac/dc tone), rolling back the volume for the 1 or 2 times a night that I need clean. Hitting the front of the amp with the bad monkey for solos. The metal muff belies its cheap price. It's kind of set up to give a Maiden sound with the volume back a touch and a Metallica sound with the volume up all the way. It sounds great on the old Crue stuff we do. I use the top boost for the one Pantera song we do. Man, there is a lot of real-estate there. I'd build a smaller board, but I can just throw cables and things in there, put the lid on, and show up with an amp, guitar, and pedalboard for some of the gigs.

http://i116.photobucket.com/albums/o18/telecaster911/pedalboard-1.jpg

[Prages]

Here's my board after my trip to the pawn shop over the weekend. embarrased0

http://www.thewindtunnel.com/GuitarPics/Pedalboard/Pedalboard.jpg

[Mark Wein]

Mine never changes anymore frown0

[telecaster911]

Here's my board after my trip to the pawn shop over the weekend. embarrased0

http://www.thewindtunnel.com/GuitarPics/Pedalboard/Pedalboard.jpg


Have you seen jr's grades? cop0

I guess I should just build a small one and throw it in a duffle bag. Mine looks kind of stupid with all that space facepalm0 But it's easy to swap around ide

[Prages]

Have you seen jr's grades? cop0

You know, I love...absolutely LOVE Van Halen, but I've never really been obscessed with chasing his tone.

You wouldn't know that by looking at some of my gear...I mean, I have 2 Wolfgangs, two guitars with SD Custom/Custom bridge pickups, and one with a Dimarzio Tone Zone. Now I've got this damned pedal. thwap

That said, this pedal sounds damned good, and with the 'Script' button engaged, cops a really good early VH vibe.

[telecaster911]

That said, this pedal sounds damned good, and with the 'Script' button engaged, cops a really good early Waylon vibe.


Fixed... biggrin

OK, I'm out. Feeling like crap. I think I caught Phil's cold. See you guys tomorrow. AOK

[tunghaichuan]

Here's a link to a pic of my pedal board:

http://www.diycustomamps.com/images/rig_2.jpg

That is only about a third of my pedals. I've become a pedal addict lately after years of literally having none.

tung

[jaxn slim]

http://jacksonslim.com/Gear/pedalboard2sm.jpg

[Mark Wein]

http://jacksonslim.com/Gear/pedalboard2sm.jpg


Nice! How do you like the Nova delay? What do you use it for primarily?

[jaxn slim]

Nice! How do you like the Nova delay? What do you use it for primarily?

I use it mainly for slapback and just your standard digital delay. There are so many options, but I've just barely scratched the surface since I don't really listen to much music with a lot of fancy delay.

[Mark Wein]

I use it mainly for slapback and just your standard digital delay. There are so many options, but I've just barely scratched the surface since I don't really listen to much music with a lot of fancy delay.

So you're like me biggrin

my delay pedal is very underutilized as well....

[Dann]

I thought I did already

ah frig!!
http://img.photobucket.com/albums/v708/wayek/pedals1.jpg

[Chihlidog]

:o

http://i141.photobucket.com/albums/r70/chihlidog/pedalboard.jpg

[Help!I'maRock!]

http://i37.photobucket.com/albums/e91/howieneil/DSC_0186.jpg

[dfunk]

:o

http://i141.photobucket.com/albums/r70/chihlidog/pedalboard.jpg

nice pedalboard! do you use velcro?

[Mark Wein]

:o

http://i141.photobucket.com/albums/r70/chihlidog/pedalboard.jpg

lol.


Thats kind of what I've been playing through mostly these days, too....

[telecaster911]

Here's my latest incarnation.

http://i116.photobucket.com/albums/o18/telecaster911/100_0560.jpg

[Prages]

Hmmm...my board, it has changed since this thread.

http://www.thewindtunnel.com/GuitarPics/Pedalboard031109.jpg

[baimun]

As of this weekend......... here's my full effects chain.






http://www.elderly.com/images/accessories/ELA/PWCGT-20.jpg




... but next month it will be....




http://img3.musiciansfriend.com/dbase/pics/products/3/2/3/551323.jpg

biggrin

[Psychotronic]

Finally took a pic of what's on mine currently:

http://i414.photobucket.com/albums/pp229/spy10926/0403091347.jpg

Starting at the top left...

Boss NS-2 -- I rarely use it for anything but powering the rest of the Boss pedals, but occasionally I utilize its internal loop.

Bogner footswitch -- Self-explanatory. Footswitch for the Shiva.

BYOC Envelope Filter -- I have it running in front of the amp at the moment, which is why it's after the tuner. I enjoyed building it, it has its uses.

Boss Tuner -- Duh.

Mess of wires -- Power. Combination of Boss, Godlyke Power-All, and Line 6.

Starting at the bottom left, all of which runs thru the amps FX loop...

Boss DDL -- Long delay.

Boss DDL -- Short delay.

Boss Chorus -- Duh.

BYOC Phaser -- Love it. Thick and chewy classic phase!

BYOC Tremolo -- Perfect vintage trem.

Line 6 Distortion modeler -- Gets a bad rap, but I like it. I used to use this in front of my Fender Super before I sold it, now I run it in the loop and use it as a solo boost.

Coming soon.....

BYOC Ring Mod/Comp

A/B/Y Pedal -- Thinking of going to a stereo setup and want to run the stereo outs from both the Chorus and the DDL, which will reuire an A/B/Y, I think. Testing it out this weekend.

[Mark Wein]

Sweet! Maybe I need a second delay :-)

[White Gold]

I wish I had money...you guys make me sad...

[Suhnton]

I wish I had money...you guys make me sad...

Just be a cheap bastard and make 'em yourself. That's what I did (and if I can build them, any monkey can).

[White Gold]

http://www.boutiquemusicinc.com/e-store/images/Visual_Sound/DoubleTrouble.jpg

That's my pedalboard! But my b-day is in 30 days, so I may get more pedals and an acual pedal board! biggrin